A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Stanley is a magician who has dedicated his life to revealing fraudulent spiritualists. He plans to quickly uncover the truth behind celebrated spiritualist Sophie and her scheming mother. However, the more time he spends with her, he starts thinking that she might actually be able to communicate with the other world, but even worse, he might be falling in love with her.Written by
On several occasions, Stanley makes derisive references to how well or how badly Sophie can predict the future. She never claimed she could predict the future. Her demonstrated skills involve the past, like knowing impossible-to-know facts about people she has barely met and contacting deceased relatives. Before Stanley met Sophie, Brice said "She can predict the future." See more »
I don't understand. Is the conductor a blithering idiot? He went over the tempo six times. It's Adagio, Adagio, Adagio! It's not racehorse tempo.
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I would have loved to love this film, considering the director and the very talented Colin Firth. But alas! It is very boring, much too talkative, with lines so long- though empty -, to deliver by the actors, with hardly any camera movements. Very much like a play being filmed while the director is taking a nap or died on the way. Almost always frontal camera, not getting closer to the actors from time to time, as if the camera was stuck on the 5th row of the theater. The love story is very lame, and poor Colin Firth not credible one second. What about the message? You don't have to quote Nietszche (not sure about the spelling...) extensively to suggest that rationality in life is not everything and that you need some magic and emotions to enjoy it. Woody Allen should retire. He becomes an embarrassment.
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