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Archival footage and personal testimonials present an intimate portrait of the life and career of British singer/songwriter Amy Winehouse.

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4,109 ( 863)
Won 1 Oscar. Another 50 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Herself (archive footage)
Lauren Gilbert ... Herself
Juliette Ashby ... Herself
Nick Shymansky ... Himself
... Himself
Guy Moot ... Himself
Chris Taylor ... Himself (archive footage)
Nick Gatfield ... Himself
Ian Barter ... Himself (archive footage)
Garry Mulholland ... Himself (archive footage)
... Himself (archive footage)
Janis Winehouse ... Herself
... Himself (as Mitchell Winehouse)
Sam Beste ... Himself
... Himself (archive footage)
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Storyline

A documentary on the life of Amy Winehouse, the immensely talented yet doomed songstress. We see her from her teen years, where she already showed her singing abilities, to her finding success and then her downward spiral into alcoholism and drugs. Written by grantss

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A heartbreaking journey. A ground breaking motion picture. See more »


Motion Picture Rating (MPAA)

Rated R for language and drug material | See all certifications »

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Details

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Release Date:

3 July 2015 (USA)  »

Also Known As:

Amy: Az Amy Winehouse-sztori  »

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Box Office

Opening Weekend USA:

$1,780,000, 10 July 2015, Limited Release

Gross USA:

$8,412,034, 10 January 2016
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

First documentary distributed by A24 to be nominated for an Oscar. See more »

Goofs

Instead of putting Amy's Belgrade concert, filmmakers made mistake and the big zoom out was concert of Jelena Karleusa, Serbian pop/folk singer and not Amy's. See more »

Quotes

Andrew Morris: Friday night, she was showing me some clips on her laptop. She was singing on the stage. And she said "Boy, I can sing!" I said, "Damn right you can sing!". She said, "If I could give that back, just to walk down the street with no hassle, I would."
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Connections

Features Late Show with David Letterman (1993) See more »

Soundtracks

Love Is a Losing Game
Written by Amy Winehouse
Performed by Amy Winehouse at Mercury Music Prize, 2007
Published by EMI Music Publishing Ltd
Amy Winehouse appears courtesy of Island Records
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User Reviews

An extraordinary film, one of the most powerful I've seen in years
8 July 2015 | by See all my reviews

A haunting, heartbreaking and stunningly brilliant film from Senna director Asif Kapadia, which takes us into the confidence of Amy Winehouse, as the bolshy, big-voiced, jazzy Jewish girl from North London becomes a megastar, while her personal demons, her relationship with a drug addict, and a ravenous, amoral press proceed to rip her to shreds.

Thanks to an abundance of revelatory home video footage, soundtracked by incisive interviews, we see her not only as the beehived, cat- eyed chanteuse or the alarmingly ribbed tabloid quarry, tumbling out of a club at 3am, but as a shy, spotty teen with a seductive offhand confidence in her vocal gift.

I'm not an enormous fan of Winehouse's music, I think because her deeply personal writing and distinctive, expressive voice tended to be masked by such contrived, Americanised pastiche – trading first on '30s jazz and then '60s girl groups – but the portrait that emerges here is uncompromising, thrilling and frequently devastating: of an unhappy girl equipped with a massive talent, but none of the stability or serenity to deal with the perpetual media storm that her success brought upon her.

We see stand-ups and TV presenters laughing at her bulimia and drug abuse, her management pushing her out of rehab and onto foreign stages, and – in the second half – a rapacious, vulturous paparazzi incessantly stalking her, an essential decency chillingly absent. If that was my job, I think I would struggle to watch this film and think: "Yes, what I am doing with my life is essentially fine."

By contrast, Kapadia's film is quite beautifully lacking in sensationalism. Though it essentially doubles an indictment of a society almost entirely lacking in basic compassion and empathy, it's a work that possesses both virtues in apparently limitless amounts, surely compressing and simplifying an impossibly complex narrative, but attaining something that seems awfully like the truth – and apparently is, according to her closest friends.

Amy is a tough watch, but it feels essential, not just for its vivid picture of a fascinating, deeply troubled young woman, but also for its wider significance: as a plea for people to stop being so horribly selfish, to stop seeing excess and illness as 'rock and roll' and drug abuse as a joke, and for the media to realise that if it wants to paint itself as a crusading Fifth Estate, then some basic humanity wouldn't go amiss.


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