Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
Director:
Rithy Panh
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Cast
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Randal Douc | ... | Narrator (voice) |
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Jean-Baptiste Phou | ... | Narrator (voice) |
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Storyline
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
Plot Keywords:
khmer rouge | cambodia | autobiographical | massacre survivor | massacre |Taglines:
Winner of Un Certain Regard at CannesGenres:
DocumentaryParents Guide:
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Details
Language:
FrenchRelease Date:
19 March 2014 (USA) See more »Also Known As:
La imagen perdida See more »Edit
Box Office
Opening Weekend USA:
$10,148, 23 March 2014, Limited ReleaseGross USA:
$52,164Cumulative Worldwide Gross:
$76,933Company Credits
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Technical Specs
Runtime:
Aspect Ratio:
1.78 : 1
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Did You Know?
Trivia
The lowest grossing film in Australia in 2014. It only made approximately $3,500. See more »Quotes
[It's not a picture of loved ones i seek, i want to touch them, their voices are missing, so i wont tell. I want to leave it all, leave my language, my country in vain and my childhood returns. Now it's the boy who seeks me out, i see him, he wants to speak to me but words are hard to find]See more »
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The Khmer Rouge tried to leave no traces of the Cambodian genocide (1975-79). It could be a crime for anyone outside the Party to have pencil and paper, not to mention camera or tape recorder. Scarcely any images got out.
Rithy Panh was thirteen when his family was rounded up. along with the other residents of Phnom Penh, and sent to "re-education" camps and then five years of starvation and rural labor. Now as a survivor looking back at those years, he uses simple clay figures to represent the people who died unrecorded. He juxtaposes them with scraps of propaganda films and other footage, and with manufactured landscapes, while narrating a major 20th century horror story that's also a personal and national tragedy.
The film takes all kinds of aesthetic risks: the images are complexly beautiful, but they dare to seem simplistic or naïve, or to skirt "bad taste." The simplicity is more than justified though, as The Missing Picture does recapture a lost time, the artistic triumph inseparable from the human triumph.