Jarle Klepp from "The Man Who Loved Yngve" is now a student on 25, loving women, indie rock and deconstruction. Then he gets a letter telling him he's a father, after a drunken one night stand with a 15 year old, 7 years ago, back in 1989.
Rolf Kristian Larsen,
Amina Eleonora Bergrem,
Pål Sverre Hagen
A confused religious girl tries to deny her feelings for a female friend who's in love with her. This causes her suppressed subconsciously-controlled psychokinetic powers to reemerge with devastating results.
1979 is ending, the 80s are approaching rapidly. Carl and Robert, two slacker best friends who smoke hashish as a way of cheerful living - have been peddling hashish for a decade, hitting ... See full summary »
Ulrik Imtiaz Rolfsen
Nicolai Cleve Broch,
Thomas Bo Larsen
After his wife's death, offshore oil worker Kjetil is having a hard time relating to his adopted son Daniel. In an act of desperation, he brings Daniel along to Colombia to search for the boy's biological mother.
Although anticipated, no one is really ready when the mountain pass above the scenic, narrow Norwegian fjord Geiranger collapses and creates an 85-meter high violent tsunami. A geologist is one of those caught in the middle of it.
Ane Dahl Torp,
Jonas Hoff Oftebro
The movie revisits the years in high school with no great pretensions and makes the public tenderly remember the period that marks everybody's lives.
With a storyline that reminds us the beginning of Glee (the football player that is forced to participate in the high school drama club and that finally finds his vocation), the movie takes the Hollywood stereotype of the teenage love between the popular boy and the outcast girl and refreshes it by adding a subtlety and a realism that will please both adults and teenagers. With a set of lights that perfectly represents the emotional roller-coaster of adolescence, the director knows how to combine the coldness of the landscapes with the warmth of the characters to offer a tale about friendship, perseverance and fist love. Even though the story is predictable, the characters are colourful, well- defined and do not resort to the drama or artificiality typical of other teen movies: we are not shown young people tormented by their past or overwhelmed by family problems, but boys and girls with the worries that are inherent to teen years so the spectator can feel identified with them. Thus, the movie revisits the years in high school with no great pretensions and makes the public tenderly remember the period that marks everybody's lives. Full review on our blog Los Indiscretos : https://losindiscretos.org/english/kiss-me-you-fucking-moron-2013- stian-kristiansen-en/
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