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Title: Tore tanzt (2013)
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| Cast overview, first billed only: | |||
| Julius Feldmeier | ... | Tore | |
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Sascha Alexander Gersak | ... | Benno |
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Annika Kuhl | ... | Astrid |
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Gro Swantje Kohlhof | ... | Sanny (as Swantje Kohlhof) |
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Daniel Michel | ... | Eule |
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Til-Niklas Theinert | ... | Dennis |
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Christian Bergmann | ... | Klaus |
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Nadine Boske | ... | Cora |
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Uwe Dag Berlin | ... | Dieter |
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Hartmut Lange | ... | Bordellbesitzer |
| Leoni Schulz | ... | Maithe | |
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Laura Lo Zito | ... | Lilli |
| Enno Hesse | ... | Jasper | |
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Alexander Wipprecht | ... | Prediger am Kreuz |
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Torben Lohmann | ... | Priester |
The young Tore seeks in Hamburg a new life among the religious group called The Jesus Freaks. When he by accident meets a family and helps them to repair their car, he believes that a heavenly wonder has helped him. He starts a friendship with the father of the family, Benno. Soon he moves in with them at their garden plot, not knowing what cruelty is there to come. True to his religious belief he stays with them although the increasing violence by Benno is torturing him. Tore is fighting the torment with his own weapons. So a dangerous struggle between libidinous actions and altruism begins. Inspired by true events. Written by Katrin Gebbe
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The slowly unwinding pace of this film can seduce one into a believing not much is happening, but from the outset there's a sinister feel to this film that becomes far more visceral, and disturbing. At times the violence was so calculating and casual it made me physically ill, and wanted to walk away from it. That said, the behavior of the parents, who fed into each others 'evil', reflected for me the explicit desire to dehumanize that which they hate. A feature so evident in the early 21st century. It's not from a genuine failure to reach and understand another's vulnerability, and Tore's is achingly portrayed in this film, painfully so, and the adults ever so casually seek to obliterate it. A day before I'd seen Reggie Yates doco on the experience of the LGBTI community in St Petersberg, and was truly frightened by the casual nature of the brutality, intimidation and violence of 'ordinary' Russians to gay people. The banality of evil indeed.