Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have ... See full summary »
Hélène de Saint-Père
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Isaach De Bankolé,
Beautiful Daiga has emigrated from Lithuania to Paris and is looking for a place to stay and work. Theo is a struggling musician, and his brother Camille - a transvestite dancer. One of ... See full summary »
The french choreographer Mathilde Monnier and her preparation for her next performance is the main focus of this documentary. The choreography's practices and the bodies, everything is ... See full summary »
Supertanker captain Marco Silvestri is called back urgently to Paris. His sister Sandra is desperate - her husband has committed suicide, the family business has gone under, her daughter is spiralling downwards. Sandra holds powerful businessman Edouard Laporte responsible. Marco moves into the building where Laporte has installed his mistress and her son. But he hasn't planned for Sandra's secrets, which muddy the waters...Written by
BASTARDS focuses on the experiences of sea-captain Marco (Vincent Lindon), who returns from his ship to find his sister Sandra (Julie Bataille) in trouble. He moves into the apartment above rich business person Edouard (Michel Subor), whom Sandra holds responsible for her troubles. As Marco becomes more involved in the case, so he discovers to his cost that the intrigues are more complicated than he anticipated. Set in contemporary Paris, Claire Denis creates a claustrophobic thriller, full of close-ups and tight two-shots in which the protagonists' faces seldom fall out of view. This helps reinforce the film's principal theme, which is to show how actions often have unforeseen and unintended consequences. Although Marco believes he is doing the right thing, his actions are misunderstood to such an extent that Edouard moves away, taking Sandra's little son with him. Perhaps this is due to Sandra's penchant for not telling Marco the truth about herself and her life; but Denis seems to suggest that Marco fails to consider the ways in which his behavior might be viewed by others. We never know who the "bastards" of the film actually are; perhaps it's one of those terms of abuse that people apply to others, especially when they are in tight situations. The plot remains taut throughout, and there is an unexpected dénouement that deserves our attention. Definitely worth a watch.
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