6.8/10
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Cemetery of Splendor (2015)

Rak ti Khon Kaen (original title)
Unrated | | Drama, Fantasy | 2 September 2015 (France)
Trailer
1:44 | Trailer
A group of soldiers in a small town on the Mekong River in northern Thailand are struck with a bizarre sleeping illness.
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7 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jenjira Pongpas Jenjira Pongpas ... Jenjira (as Jenjira Pongpas Widner)
Banlop Lomnoi ... Itt
Jarinpattra Rueangram Jarinpattra Rueangram ... Keng
Petcharat Chaiburi Petcharat Chaiburi ... Nurse Tet
Tawatchai Buawat Tawatchai Buawat ... The Mediator
Sujittraporn Wongsrikeaw Sujittraporn Wongsrikeaw ... Goddess 1
Bhattaratorn Senkraigul Bhattaratorn Senkraigul ... Goddess 2
Sakda Kaewbuadee ... Teng
Pongsadhorn Lertsukon Pongsadhorn Lertsukon ... Library's Director
Sasipim Piwansenee Sasipim Piwansenee ... Cream Hostess
Apinya Unphanlam Apinya Unphanlam ... Singing Woman
Richard Abramson Richard Abramson ... Richard Widner
Kammanit Sansuklerd Kammanit Sansuklerd ... Parasite Doctor
Boonyarak Bodlakorn Boonyarak Bodlakorn ... Dr. Prasan
Wacharee Nagvichien Wacharee Nagvichien ... Soldier's Wife
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Storyline

Soldiers with a mysterious sleeping sickness are transferred to a temporary clinic in a former school. The memory-filled space becomes a revelatory world for housewife and volunteer Jenjira, as she watches over Itt, a handsome soldier with no family visitors. Jen befriends young medium Keng who uses her psychic powers to help loved ones communicate with the comatose men. Doctors explore ways, including colored light therapy, to ease the mens' troubled dreams. Jen discovers Itt's cryptic notebook of strange writings and blueprint sketches. There may be a connection between the soldiers' enigmatic syndrome and the mythic ancient site that lies beneath the clinic. Magic, healing, romance and dreams are all part of Jen's tender path to a deeper awareness of herself and the world around her.

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Language:

Thai | English

Release Date:

2 September 2015 (France) See more »

Also Known As:

Cemetery of Splendor See more »

Filming Locations:

Khon Khaen, Thailand

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Box Office

Opening Weekend USA:

$7,780, 6 March 2016

Gross USA:

$51,950

Cumulative Worldwide Gross:

$98,932
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Surround 7.1

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Goofs

When Itt and Jenjira are eating dinner in the city, several bystanders are seen looking and pointing at the crew. See more »

Quotes

Sign Post: Hunger for Heaven will lead you to Hell
See more »

Connections

Features Mae Bia (2015) See more »

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User Reviews

 
nope
17 October 2016 | by treywillwestSee all my reviews

Every moment of this film is enjoyable. For much of the movie, it struck me as no more or less than a solid example of the cinema of auteur Arichitapong Weerasthakul. He is, perhaps, the most sincerely and successfully magical-realist artist that cinema has known. The social rhythms seem utterly naturalistic, even when the main character, an old, recently handicapped hospital worker, is having a pleasant chat with ancient deities. As with early Peter Weir, Weerasthakul's natural landscapes are utterly, well, natural yet they seem to suggest a haunting, an otherworldly force that's face is the world, one which may or may not be benevolent. History, for Weerasthakul, is the haunting of the present and future by past lives and past worlds, spectral- beings that traverse and are traversed by the present.

During Cemetery's last scenes I came to think this may be Weerasthakul's most fully realized work. The penultimate shot is extraordinary. The main character stares out at a central square of the village where the film has taken place, which the current government is digging up, presumably to make way for some "modern convenience". Children play over the new ruins like spirits of the future levitating over a present fading into the past. Our lives, our worlds, can only exist atop the ruins and amid the ghosts of the past. Destruction is therefore creation. But that doesn't make destruction, perhaps especially in its contemporary, mechanized form, any less terrifying.


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