This chilling fable about the rise of fascism in the 20th Century tells the story of a young American boy living in France in 1918 whose father is working for the US government on the creation of the Treaty of Versailles. What he witnesses helps to mould his beliefs - and we witness the birth of a terrifying ego. Loosely inspired by the early childhood experiences of many of the great dictators of the 20th Century and infused with the same sense of dread as The Others and The Omen, The Childhood of a Leader is an ominous portrait of emerging evil.Written by
This film marks the second collaboration between screenwriters Brady Corbet and Mona Fastvold, having collaborated in the screenplay for The Sleepwalker. The difference between this two collaborations is that Fastvold directed The Sleepwalker and Corbet directed this one. See more »
It's Christmas Mass time in the church scene, but the priest wears black vestments, which are proper in the Catholic Church only for funerals. See more »
The tragedy is not only that Pontius Pilate betrayed his self but that hundreds in the crowd before him did betray their selves. And that's what I wrote was the tragedy of war. Not that one man has the courage to be evil but that so many have not the courage to be good.
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I wanted to like this production, I really did . . . but . . .
I was intrigued by the context and concept of the story, particularly being very familiar with this era of history and the labyrinths of complexity of that time.
But try as I might to become engaged in this production, it just dragged on as a cardboard, lifeless attempt at rendering what could have been a spectacular creation of historically relevant drama and intrigue.
Not sure I can put my finger directly on the most obvious failure point, but it just didn't come to life for me.
Technically, the camera work was well done, the sets, stagecraft and all that was comparable to any decent BBC type of historical production, but the audio engineering here seems to have been a bit clumsy at best. But even that technical detail can be forgiven if the quality of the acting and the story itself can carry the production . . . which sadly, it doesn't.
The acting is stiff, monodimensional, reminded me of college theater plays. No, wait . . . actually, that isn't fair to some of the college theater productions I've seen in past years.
The supposedly important tension scenes just dragged on as useless time consuming segments sprinkled in between sections of potentially relevant (but equally flat and uninspiring) dialogue.
What an unfortunate waste of what could have been a great production.
Clearly the director (Brady Corbet) just didn't "get it". My best guess is that he was intently focused on delivering the obvious political message embedded in this character study into the culturally relevant psychodynamics of the time . . . but completely missed the target of actually creating a compelling delivery of the story.
Which is unfortunate, as I really wanted to like this.
Perhaps another attempt, with a different director and style of delivery . . .
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