When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
A young man named Eggsy whose father died when he was a young boy, is dealing with living with the creep his mother is with now, who mistreats her and him. He goes out and does something to one of the creep's friends. He gets arrested and he calls a number a man gave him around the time his father died, to call if he needs help. A man named Harry approaches him and tells him he's the one who helped him. He tells him that he knew his father. When the man Eggsy slighted wants some payback, Harry takes care of him and his companions single handed. Harry then tells Eggsy that he's part of a secret organization called the Kingsman and his father was also part of it. He died trying to make the world safe. Harry offers Eggsy the opportunity to be a Kingsman and he takes it. He undergoes a grueling training course. Harry is looking into the demise of another Kingsman and the trail leads him to tech billionaire named Valentine aka V who is also curious about the group following him, the ...Written by
The "Looking Good. Feeling Good" exchange is a reference to Trading Places (1983) which is a film about opposite ends of the class privilege scale and is referenced early in the movie. See more »
In the police interview room, there was a pen on the table. The cop left the room there was a change of camera and the pen disappeared. See more »
[over the radio]
This is Zero One Alpha. We have secured Falcon. I say again, we have secured Falcon.
By the time I count to ten, you will have told me exactly what I need to know. If not, the number ten will be the last thing you will ever hear.
One. Two. Three.
[Hart shoots the terrorist in both legs; the terrorist slumps forwards]
Four. Five. Six. Seven. Eight.
[the terrorist sits back up, with a grenade pin in his teeth]
Grenade! Sir, get back!
[...] See more »
There is an extra scene just after the end credits begin. See more »
It's strange when you consider it, how much the Spy thriller genre has changed and grown because of James Bond, there is not a single Spy movie that is made that isn't and won't be compared to double 'O' seven himself. So I suppose it's no surprise that a film like Kingsman had to be made eventually, so I suppose the reel question is will this make the Sky fall or just be a quantum of nonsense?
Say what you like about Mathew Vaughn the man likes his comics. So far out of the 5 films he has directed, 3 were graphic novels first. Kingsman is one of them. The man's like the anti-Zack Snyder, he directs films based off of comics and brings out real issues in them, as opposed to Snyder who directs films based off of graphic novels and ignores any merit or comment on the wider world the books make and just makes HIS movies. I'm happy to say that Kingsman is probably the most fun I will have in a cinema screen this year.
As I've already said Spy films get compared to James Bond, so let's begin with that shall we? Kingsman is a film that is both totally unique and its own movie whilst fully embracing its British heritage, the films marketing campaign drew strong comparisons to For Your Eyes Only artwork. The film acknowledges all of those stupid spy clichés in a way which is both knowing and clever, and then it ditches them all. The best example of this I can give is in the opening sequence of the film, there is a glass of whisky, a lot of people die and there isn't a drop of said whiskey spilt, and at that moment Kingsman sticks two fingers up at the past and says "we're the future" and from that second onwards Kingsman is its own movie. The film successfully reinvents just about every stereotype imaginable in a spy film.
The villain, who is always central in a spy movie, is Valentine (played by Samuel L. Jackson). Valentine is a megalomaniac who wants world domination, all standard stuff so far, he also has a lisp and is terrified of blood. That's the kind of thing Kingsman does really well, it sets us up with the standard and transforms it to be unique.
The film is of course preposterous in the extreme, but I don't care. It was funny, clever, brilliant and unique. Kingsman has so many pro's to it that you can easily overlook the minor short comings, because in the end the film has a baddie who has blades for legs, I mean who doesn't love that?
What I like most about Kingsman is that even with all its madness it still manages to have some kind of heart; the entire movie is kind of a think piece on class war and the importance of legacy. The movie has a brain and a soul and it has no problem expressing either, the finale to the parachute problem proves this most for me.
I would be remised if I didn't mention something about the cast, let get over the whole "the obvious people are amazing thing" and look forward to the new comers Taron Egerton (playing "Eggsy") and Sophie Cookson (playing Roxy). These two talents have come from nowhere and broken through the glass ceiling, Cookson and Egerton are stars with one film to their names, and they deserve every single piece of praise that comes to them. Taron is such an unbelievably versatile young man, he can be funny, clever, cool, cocky, brash, physical, confident and insecure all without saying a word or moving a muscle. Also, I loved seeing Jack Davenport on screen again.
Kingsman is the film this country needed; it's confident and fun, without being disrespectful or full of nasty. In short, Sic.
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