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Annihilation (2018)

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A biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply.

Director:

Alex Garland

Writers:

Alex Garland (written for the screen by), Jeff VanderMeer (based on the novel by)
Popularity
135 ( 11)
12 wins & 46 nominations. See more awards »

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Cast

Complete credited cast:
Natalie Portman ... Lena
Benedict Wong ... Lomax
Sonoya Mizuno ... Humanoid & Katie (Med Student)
David Gyasi ... Daniel
Oscar Isaac ... Kane
John Schwab ... Paramedic
Jennifer Jason Leigh ... Dr Ventress
Gina Rodriguez ... Anya Thorensen
Tuva Novotny ... Cass Sheppard
Tessa Thompson ... Josie Radek
Sammy Hayman ... Mayer
Josh Danford ... Shelley
Kristen McGarrity Kristen McGarrity ... Lena Double
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Storyline

A biologist's husband disappears. She puts her name forward for an expedition into an environmental disaster zone, but does not find what she's expecting. The expedition team is made up of the biologist, an anthropologist, a psychologist, a surveyor, and a linguist.

Plot Summary | Plot Synopsis

Taglines:

One way in. No way out. See more »


Motion Picture Rating (MPAA)

Rated R for violence, bloody images, language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site

Country:

UK | USA

Language:

English

Release Date:

23 February 2018 (USA) See more »

Also Known As:

Annihilation See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$11,071,584, 25 February 2018, Wide Release

Gross USA:

$32,732,301, 19 April 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Anya means mother in Hungarian. See more »

Goofs

During an attack by a bear, one character is shown to be bitten on the left shoulder by the creature, and it is mentioned in behind the scenes footage. However, in the next scenes, the character shows no outward sign of injury on their affected shoulder, such as scratches, blood, or bandages. See more »

Quotes

[first lines]
Lomax: What did you eat? You had rations for two weeks. You were inside for nearly four months.
Lena: I don't remember eating.
Lomax: How long did you think you were inside?
Lena: Days. Maybe weeks.
Lomax: What happened to Josie Radek?
Lena: ...I don't know.
Lomax: What about Sheppard? Thorensen?
Lena: Dead.
Lomax: Ventress?
[...]
See more »

Connections

Referenced in Midnight Screenings: Every Day/Annihilation (2018) See more »

Soundtracks

Helplessly Hoping
Performed by Crosby Stills & Nash (as Crosby Stills and Nash)
Written by Stephen Stills
Licensed courtesy of Warner Music UK
Published by Gold Hill Music Inc (BMI)
See more »

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User Reviews

 
Ambitious Disappointment

Remember when alien movies were just about little green men or robot humanoids coming to conquer Earth? Annihilation is another in a long line of modern sci-fi films to be more interested in the philosophy than the practicality of extra-terrestrials. But unlike Under the Skin or Europa Report, its ponderous nature never quite reaches its point. It's definitely a metaphor for something, but what? Aging? Marriage? Dementia? Time? Death? Perhaps a second-viewing would clear some of this up, but then I'd have to slog through this movie again. An unknown object has crashed onto earth, causing a slowly growing "shimmer" wall that seems to make anyone who enters it disappear. In so many ways, it's just a lesser version of classic films. Like Tarkovsky's Stalker, it's comfortable with saying "I don't know", but more out of confusion than intrigue. Like Villeneuve's Arrival, it uses alien beings to talk about humanity, but with little emotional impact. Like Carpenters' The Thing, its unexpectedly and brutally gory, though not as technically impressive. However, it's a hard movie to write-off or be complacent about, given its strangeness and ambition. The bursts of horror are fun and unique, with cool creatures and a steady directing hand. Most of all, it's visually striking cinematography and often quite beautiful production design are undeniable. Most of its issues seem to stem from the writing, which isn't just thematically unfocused, but also just full of cliched dialogue. With Ex Machina, Alex Garland made a strong impression with that debut. And even with all of Annihilation's script problems, his camera's eye and brainy tendencies keep him as a filmmaker worth watching.


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