A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.
Director:
Jordan Peele
Stars:
Daniel Kaluuya,
Allison Williams,
Bradley Whitford
A young programmer is selected to participate in a ground-breaking experiment in synthetic intelligence by evaluating the human qualities of a highly advanced humanoid A.I.
Director:
Alex Garland
Stars:
Alicia Vikander,
Domhnall Gleeson,
Oscar Isaac
Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.
Director:
M. Night Shyamalan
Stars:
James McAvoy,
Anya Taylor-Joy,
Haley Lu Richardson
In the summer of 1989, a group of bullied kids band together to destroy a shape-shifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town.
Director:
Andy Muschietti
Stars:
Bill Skarsgård,
Jaeden Martell,
Finn Wolfhard
When the creator of a virtual reality called the OASIS dies, he makes a posthumous challenge to all OASIS users to find his Easter Egg, which will give the finder his fortune and control of his world.
A biologist's husband disappears. She puts her name forward for an expedition into an environmental disaster zone, but does not find what she's expecting. The expedition team is made up of the biologist, an anthropologist, a psychologist, a surveyor, and a linguist.
On December 7, 2017, it was announced that due to the clashes between producer Scott Rudin and David Ellison, a financier at Paramount, and the shift in Paramount's leadership, a deal was struck with Netflix handling international distribution rather than releasing the film in theaters. According to this deal, Paramount would handle the U.S. and China release, while Netflix would begin streaming the film in other territories seventeen days later. See more »
Goofs
When Kane wakes Lena to tell her he's leaving a day early he puts a glass of orange juice on the nightstand. A few seconds later the camera angle changes and the glass is in a different spot. See more »
Quotes
[first lines]
Lomax:
What did you eat? You had rations for two weeks. You were inside for nearly four months.
Lena:
I don't remember eating.
Lomax:
How long did you think you were inside?
Lena:
Days. Maybe weeks.
Lomax:
What happened to Josie Radek?
Lena:
...I don't know.
Lomax:
What about Sheppard? Thorensen?
Lena:
Dead.
Lomax:
Ventress?
[...] See more »
Sex Music
Artist Beak> (as BEAK>)
Written and Performed by Billy Fuller, Geoff Barrow and William Young
Licensed courtesy of Invada Records UK 2017
Published by Kobalt Music Publishing Ltd See more »
I don't review films, but I felt I had to counter the "one star" ratings from people who evidently didn't "get" this modern sci-fi masterpiece. I have to say I'm baffled by the extremely low reviews from some people, especially those who claim they went to sleep during the movie (is it fair to give it one star if you didn't see all of it?), or those who claim they are doing it to counter the "fake" ten star reviews.
I am giving this a ten because this movie single-handedly restored my faith in cinema as capable of giving me an "experience" in the theater. This is not a perfect film. That's not why I gave it a ten. I gave it a ten because of its vision and its impact. I'd say it's a cross between Alien, Arrival, Monsters, and 2001. If you don't like films that create an environment and put you in it to experience something, you probably won't like this. It's not a straight linear sci-fi film where you will have all your questions answered. Instead, it will make you think about what life and death is, about what ties us together, and it will give you a few scares along the way, and show you things you have never seen in other films. It will also convey how important the soundtrack can be in a film.
It's tragic that other countries didn't get a chance to see this in the theater. For anyone watching this overseas on Netflix, I recommend you watch on the largest television you can find with the best sound system you can get, and crank it. If you have to bribe your friend with the 70" television and Atmos sound system, do it. It's worth it to experience this film to the fullest. I wish I could see it for the first time again in the theater.
If you've read the book, Garland says this was created as a sort of "dream" of the book, and it's only roughly based on that work. If you have read the book first, you need to reset your expectations going in.
Again, this is not a "paid" review, it's not a "fake" review. I experienced what I can only describe as a near-religious experience in the theater watching this film, and a repeated view at home brought all those feelings back. It's a tremendous work, and I can't wait to see what Garland does next.
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I don't review films, but I felt I had to counter the "one star" ratings from people who evidently didn't "get" this modern sci-fi masterpiece. I have to say I'm baffled by the extremely low reviews from some people, especially those who claim they went to sleep during the movie (is it fair to give it one star if you didn't see all of it?), or those who claim they are doing it to counter the "fake" ten star reviews.
I am giving this a ten because this movie single-handedly restored my faith in cinema as capable of giving me an "experience" in the theater. This is not a perfect film. That's not why I gave it a ten. I gave it a ten because of its vision and its impact. I'd say it's a cross between Alien, Arrival, Monsters, and 2001. If you don't like films that create an environment and put you in it to experience something, you probably won't like this. It's not a straight linear sci-fi film where you will have all your questions answered. Instead, it will make you think about what life and death is, about what ties us together, and it will give you a few scares along the way, and show you things you have never seen in other films. It will also convey how important the soundtrack can be in a film.
It's tragic that other countries didn't get a chance to see this in the theater. For anyone watching this overseas on Netflix, I recommend you watch on the largest television you can find with the best sound system you can get, and crank it. If you have to bribe your friend with the 70" television and Atmos sound system, do it. It's worth it to experience this film to the fullest. I wish I could see it for the first time again in the theater.
If you've read the book, Garland says this was created as a sort of "dream" of the book, and it's only roughly based on that work. If you have read the book first, you need to reset your expectations going in.
Again, this is not a "paid" review, it's not a "fake" review. I experienced what I can only describe as a near-religious experience in the theater watching this film, and a repeated view at home brought all those feelings back. It's a tremendous work, and I can't wait to see what Garland does next.