Dave Skylark and his producer Aaron Rapaport run the celebrity tabloid show "Skylark Tonight". When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to assassinate him.
In the action-comedy The Interview, Dave Skylark (James Franco) and his producer Aaron Rapoport (Seth Rogen) run the popular celebrity tabloid TV show "Skylark Tonight." When they discover that North Korean dictator Kim Jong-un is a fan of the show, they land an interview with him in an attempt to legitimize themselves as journalists. As Dave and Aaron prepare to travel to Pyongyang, their plans change when the CIA recruits them, perhaps the two least-qualified men imaginable, to assassinate Kim Jong-un.Written by
Sony Pictures Entertainment
The end credits song is a jazzy version of the song the kids are playing on the guitars earlier in the film, written by Lyle Workman. See more »
There are several errors with the control room scenes both in North Korea, and in New York. Firstly Aaron seems to randomly jump in with camera cuts, even though he is a producer, and that is the job of the show's director, who in both locations is non-existent. Secondly, some of the graphics on the monitors appear to have no relation to the show, some look like open photo editors, and others have unidentifiable green charts on them that would be useless to anyone in the room. In addition, the graphics shown on these screens are several different varieties of "Skylark" different from the ones that the show used anywhere in the movie. The one set of screens that is accurate in the room is the screen displaying inputs, although the "titles I - IV" and "A" are all blank, color bars, or off the air. These screens are used to display the various camera angles from the studio, although there are no camera angles present anywhere on the screen. Which must mean Aaron memorized all of the cameras numbers and locations and is somehow constantly aware of what angles they have. Seven of the monitors show the same screen, and three of them are blocked by other monitors, rendering them partially useless. There is also no network clock in the room, which in reality would be used to start the broadcast correctly during its time slot. In North Korea, there is a joystick that Aaron uses to change the angles of the cameras, even though they are regular studio cameras that are controlled by the cameramen. When switching cameras in the North Korean studio, Sook seems to use a line of buttons with various camera numbers on them. However, again there are no monitors displaying these angles, and this process would actually be done using a switcher. See more »
Our Beloved Leader is wise. He is gentle, kind and strong. We wish him joy. We wish him peace. We wish him love. And the one thing in our time, we wish more than this is for the United States to explode in a ball of fiery hell. May they be forced to starve and beg, and be ravaged by disease. May they be helpless, poor and sad and cold! They are arrogant and fat. They are stupid and they're evil. May they drown in their own blood and feces. Die America, die. Oh please won't...
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The movie opens with the Columbia Pictures logo used until 1976. See more »
I'll give an honest review about this movie as an American
Alright so let's get this out of the way. I'm giving huge props to Sony for releasing this movie after being threatened and hacked. With that being said my new found love for Sony has nothing to do with this review, I'm simply giving my opinion as if none of that ever happened.
Rogen and Franco. They're the modern day David Spade and Chris Farley, or at least they're getting there. They're on the same level as Ferrell and Reilly and Hill and Tatum. You get my point, they work well together...like peanut butter and......okay enough with the comparisons.
The movie is a satire, that's something you have to realize and accept before you ever even watch it. Do not go into it expecting it to be realistic or within reason. If you have a preconceived idea that the movie will be in the realm of realism then don't even bother. With that being said, the movie was well thought out in the way of being what it is and these two pull it off perfectly. Franco being the dumb one who's idiotically friendly to the wrong people and Rogen being the one with whatever sense of responsibility you could ever picture him having to begin with. The movie and their characters, in that sense, could be compared to their roles in Pineapple Express. If you liked Pineapple Express, you'll like this movie too because it comes with that same sense of humor that just works.
There were very few parts that were like "okay, is this going to pick up?" and there were parts (more often that not) that were near non-stop hilarious. There are some jokes and comments in there that I've never heard elsewhere that were purely brilliant and hilarious.
Sony spent A LOT of money making this movie and you can tell. It doesn't have that cheesy feel to it the way the "Scary Movie" series does, it's not that kind of satire or parody. The feel of the movie really was just like Pineapple Express. It's not overly done in a cheesy type of way at all. You really should watch it for yourselves, and not just because you want to give the big "f-you" to North Korea and its hackers-watch it because it's classic Rogen-Franco genius comedy.
7 out of 10, pushing 8 out of 10. Movies nowadays hardly ever make me laugh and I don't like stupid humor like Napoleon Dynamite or the cheesiness of movies like Scary Movie and I can say that this made me laugh like I haven't in a while.
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