An anthology series centering on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show, a hotel, a possessed farmhouse, a cult, the apocalypse and a summer camp.
The People v. O.J. Simpson: American Crime Story is a limited series that takes you inside the O.J. Simpson trial with a riveting look at the legal teams battling to convict or acquit the football legend of double homicide. Based on the book The Run of His Life: The People v. O.J. Simpson by Jeffrey Toobin, it explores the chaotic behind-the-scenes dealings and maneuvering on both sides of the court, and how a combination of prosecution overconfidence, defense shrewdness, and the LAPD's history with the city's African-American community gave a jury what it needed: reasonable doubt.Written by
Sarah Paulson smoked real cigarettes, despite being a non-smoker, as she was strongly dedicated to accurately portraying Marcia Clark. She was so determined to stay in character that she even wore the same perfume "Magie Noire" as Clark. See more »
In re-enacted freeway scenes, numbered exit signs can be seen. California didn't begin to number freeway exits until 2002, after the events depicted. See more »
Telling the story of the murder of Gianni Versace (Edgar Ramírez) at the hands of Andrew Cunanan (Darren Criss), what's especially interesting about this season of American Crime Story is the narrative structure. The opening scene of the first episode sees the murder, and the show then goes backwards, with each episode set earlier than the previous one, an achronological structure that unifies form and content; this isn't about a murder, it's about how Cunanan became a serial killer.
Within this, the show deals with two interrelated issues; 1) the concept that one must work hard to be successful, and 2) the desire to be remembered. Cunanan is obsessed with the second, but unwilling to acknowledge the first, despite his conviction of his own greatness. His attitude is nicely critiqued by Versace himself ("Life isn't about convincing people you can do great things. It's about doing them"), and the last shot masterfully encapsulates much of Cunanan's deepest existential fears. For all that, however, the season is good, but not great. The last two episodes are far and away the strongest, especially Jon Jon Briones's appearance as Modesto, Cunanan's detestable father, but, overall, it isn't a patch on 'The People v. O.J. Simpson'.
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