A group of U.S. soldiers returning from Iraq struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they've left the battlefield.
12 Strong tells the story of the first Special Forces team deployed to Afghanistan after 9/11; under the leadership of a new captain, the team must work with an Afghan warlord to take down the Taliban.
Thirty years after they served together in Vietnam, a former Navy Corpsman Larry "Doc" Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War.
DreamWorks Pictures' Thank You for Your Service follows a group of U.S. soldiers returning from Iraq who struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they've left the battlefield. Starring an ensemble cast led by Miles Teller, Haley Bennett, Joe Cole, Amy Schumer, Beulah Koale, Scott Haze, Keisha Castle-Hughes, Brad Beyer, Omar J. Dorsey and Jayson Warner Smith, the drama is based on the bestselling book by Pulitzer Prize-winning reporter and author David Finkel. Jason Hall, who wrote the screenplay of American Sniper, makes his directorial debut with Thank You for Your Service and also serves as its screenwriter. Jon Kilik (The Hunger Games series, Babel) produces the film, while Ann Ruark (Biutiful) and Jane Evans (Sin City) executive produces.
Steven Spielberg was expected to join the film as director, while American Sniper's Oscar-nominated scribe Jason Dean Hall was hired in June 2013 to adapt the book into a film. See more »
When Sergeant Emery is driving his car with Staff Sergeant Schumann riding in the passenger seat, notice that the outside shots show a silver Dodge Challenger (2-door) but inside shots show what appears to be a Dodge Charger (4-door). In any case, it's clear that there are back doors to the car with their own full windows which is inconsistent with the exterior appearance of the car. See more »
[while having sex, Adam hallucinates Saskia getting hit with gunfire]
[he starts panting]
What happened? What did I do? I don't understand. Tell me what to do. I need you to talk to me, Adam. It's time. I've given you months!
I thought we were broke, and you're buying fucking lingerie!
I thought you were fine. You're lying to me, I found your VA questionnaire, everything's a lie!
I'm not lying.
You're fucked up! You're not looking for a job! You're sick and I can't do anything if you don't ...
[...] See more »
A portrayal of the effects of war on today's soldiers.
I viewed this movie at the suggestion of a family member who had served in Afghanistan. I'm glad I did -- it is a wonderful movie of the struggles of the modern, professional soldier. There were no "impossible" scenes of war or family life. Nothing was fantastic or even out of the ordinary. This could have all played out in your home town. This is the story of three fellow soldiers, comrades-in-arms, after their return to civilian life. The acting was realistic. The women who played the wives were totally believable. Well, so were the guys. The scenes not preposterous – no crashing police cars, no hail of bullets from which the lead emerges unscathed. The audio was EXCELLENT (which is not true for any number of modern movies); The ordeals and anxieties of these vets kept the story line well within reason but perhaps a bit compressed. The Veterans Administration was painted in a horrid light – to be fair, the counselors were seen as helpful but the staff as uncaring. I want to believe the point was made that the problems with the VA are systemic and from lack of funding – hence the movie's title. The officer corps was condemned several times by buffoonery and indifference, not an uncommon theme in any movie dealing with the military. I believe it would have played better with more balance, one caring officer, for example. While heavy on coarse language, cursing, and graphic sexual profanity, it wasn't "over the top" for soldiers' "manguage." The very few sexual scenes were largely off camera. The "R" rating must come from the expletives and subject matter. I saw "Coming Home" soon after returning from Vietnam. That was an anti-war movie. This is not anti-war, but it is a political movie. This is a film about those veterans who are not supported by the psychological services of the VA. It impels the viewer to contact his elected officials to implore them to solve the problem.
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