One Perfect Match

I realised a long time ago that text messaging was just a part of daily life now and was not surprised when it started appearing in movies. But FINALLY a movie maker that while using text messaging as part of the story doesn't forget that not everyone has 20/20 vision and by not being able to read the texts loses a large part of what is happening. By having the texts spoken as well as on screen, they allowed the story to unfold for everyone.

I was really surprised and pleased. They only missed one right at the end but by then we knew what it would say.

I really enjoyed this movie, thought the chemistry between the leads was awesome and the supporting actors were great too. Scenery lovely and all in all an enjoyable movie made better for knowing what the texts said. Thank you.

This is an EXCELLENT Movie! It should be shown in all university and college campuses because of the outstanding ethical decisions made by the characters! Hollywood NEEDS MORE WRITERS THAT CAN WRITE IN THIS STYLE!! I LOVED this MOVIE! So REFRESHING AND WELL- DONE in every aspect! The cast was excellent. The background sets were great. Make-up and wardrobe top-notch! Where has the writer(s) been hiding?? I would LOVE to see more movies made with this class of writing! Such a relief not to have to watch perversion and disrespect weaved into a rom-com when trying to relax. This movie deserves awards! I hope it get some and I hope some people in Hollywood take a lesson from the content of this movie!! DOUBLE KUDDOS TO THE WRITER(S)

Some of the romances by Hallmark or GAF feature couples that have little chemistry. Sometimes that is due to the story, which features antagonism or an oil-an-water connection that gradually grows into love. Other times, there just is no spark between the two stars. This film, on the other hand, features a story where there is chemistry between the two leads immediately, and for reasons of plot the couple cannot act on it.

Lucy Marks (Merritt Patterson) runs a match-making service and is dedicated to her job. Ironically, she herself has no one special in her life. When she meets Finn Grayson (Joshua Sasse), a businessman whose family owns a vineyard, there is an instant spark. When he engages her to find him a match, she has mixed feelings, but ethics require her to separate business and personal interests.

As mentioned, the story focuses on the easy attraction between the two, giving the viewer a love story different from many others. The final outcome is never in doubt, of course, but it's all about the dance.

I rather enjoyed this movie unlike the other review on here. I thought the two actors have a great chemistry and played off each other well. Sure, the story is predictable, what TV rom-com isn't? Spoiler alert: They get together at the end. I think the only issue I had was that the film is set in Florida, but his family vineyard was on rolling hills and there's one scene where she's walking up to ground level. I've lived in Florida, there's like one hill in the entire state and unless it's changed in recent years, the highest point is a garbage dump. The movie was filmed in Australia, I believe. As a freelance writer/reviewer I cover a lot of Hallmark, Lifetime, Great American Family, UPtv, etc. Content so if I say one particular rom-com is good and worth a looksie, than you know it is.

I've loved Joshua Sasse since "Galavant" and Merritt Patterson is plenty reliable, but this movie underperforms. The pacing is painfully slow -- basically 100 minutes of "I like him but he's my client and I can't date him!" and him not liking his date but not having the spine to say so. The acting from the supporting players is weak and the direction is plodding. And as is typical of GAF movies, the whole thing screams cheap. The guy is the owner of a big hedge fun but he has no papers on his desk? She's a famous matchmaker with a huge client base but has a dinky office and only one assistant? I honestly don't know why this garners so much praise, aside from the holy rollers at GAF in jubilation over a movie that doesn't dare divert from a white cisgender model.