Phoenix (2014)

A disfigured Holocaust survivor sets out to determine if the man she loved betrayed her trust.

Director:

Christian Petzold

Writers:

Christian Petzold (screenplay), Hubert Monteilhet (novel)

Stars:

Nina Hoss, Ronald Zehrfeld, Nina Kunzendorf

17 wins & 30 nominations.

Cast

Cast overview, first billed only:
Nina Hoss	...	Nelly Lenz
Ronald Zehrfeld	...	Johnny Lenz
Nina Kunzendorf	...	Lene Winter
Trystan Pütter	...	Soldat an der Brücke
Michael Maertens	...	Arzt
Imogen Kogge	...	Elisabeth
Felix Römer	...	Geiger
Uwe Preuss	...	Clubbesitzer
Valerie Koch	...	Tänzerin
Eva Bay	...	Tänzerin
Jeff Burrell	...	Soldat im Club
Nikola Kastner	...	Junge Frau
Max Hopp	...	Der Mann
Megan Gay	...	Mitarbeiterin Zentralstelle Halensee
Kirsten Block	...	Wirtin

Storyline

In the aftermath of WWII, Nelly, a Jewish survivor of the Auschwitz concentration camp, horribly disfigured from a bullet wound in her face, undergoes a series of facial reconstruction surgeries and decides to find her husband Johnny who works at the Phoenix club in Berlin. Undoubtedly, Nelly is stunning, yet, her new self is beyond recognition, so Johnny, the man who may have betrayed her to the Nazis, will never imagine that the woman in front of him who bears an uncomfortable and unsettling resemblance to his late wife, is indeed her. Without delay, and with the intention to collect the deceased's inheritance, Nelly will go along with Johnny's plot and she will impersonate the dead woman, giving the performance of a lifetime before friends and relatives in a complex game of deceit, duplicity, and ultimately, seduction. In the end, during this masquerade, as the fragile and broken Nelly tries to find out whether Johnny betrayed her or not, she will have to dig deep into her wounded ...

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Plot Keywords:

survivor | facial reconstruction | holocaust survivor | auschwitz | scam | 

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Taglines:

A Post-war Masterwork by way of VERTIGO.

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Genres:

Drama | History | Music | Romance

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Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements and brief suggestive material

Details

Official Sites:

Official site Official site [Japan]

Country:

Germany Poland

Language:

German English

Release Date:

25 September 2014 (Germany)

Also Known As:

Ave Fénix

Filming Locations:

Kirchmöser, Brandenburg an der Havel, Brandenburg, Germany

Company Credits

Production Co:

Schramm Film Koerner & Weber, Bayerischer Rundfunk (BR), Westdeutscher Rundfunk (WDR)

Technical Specs

Runtime:

98 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

German visa # 146663 delivered on 22-8-2014.

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Goofs

She is at the Phoenix bar and sees her husband. He does not recognize her. She runs out home. It is night and pitch dark. As she enters her apartment and her friend asks her if it is all okay, beautiful daylight thru the window. That's bothersome.

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Quotes

[first lines]
Lene Winter: [arriving at the border]
Soldat an der Brücke: Passport... Nice car. Where did you get it from?
Lene Winter: It's from Switzerland.
Soldat an der Brücke: Just like you?
Lene Winter: Like me.
Soldat an der Brücke: [whistles to the gate] They're from Switzerland. The girl too.
[to her passenger]
Soldat an der Brücke: I want to see your face.
Lene Winter: Can I talk to you?
[...]

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Connections

References Woman in the Moon (1929)

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Soundtracks

Largo D-moll Op. 3 Nr. 11
Written by Antonio Vivaldi
Conducted by Hector Berlioz

User Reviews

Difficult premise, bravura execution

This could have been a disaster. The premise (which I will not spoil, but is easy to find) takes some swallowing, but director Petzold and star Hess get you over the initial bump to set up a situation of great tension. The difficulty then becomes resolving that satisfactorily - and when I saw Nina Hess introduce this movie at the London Film Festival, she said that initially they weren't sure how to end it - but they pull off an absolutely bravura climax to the tale, an unforgettable scene, cinema at its finest.

Hess is brilliant in the central role, a really difficult part that she makes absolutely convincing. The other star here is the cinematography. There are other fine moments too - a really creepy scene early on full of women with bandaged faces - that help set the atmosphere. But the real thrill is to see a story told with such conviction and concluded with such panache.