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T2 Trainspotting (2017)

R | | Drama | 31 March 2017 (USA)
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1:54 | Trailer
After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud, and Begbie.

Director:

Danny Boyle

Writers:

John Hodge, Irvine Welsh (based on the books Porno and Trainspotting by)
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2,397 ( 160)
6 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ewan McGregor ... Renton
Logan Gillies Logan Gillies ... Simon (aged 9)
Ben Skelton Ben Skelton ... Renton (aged 9)
Aiden Haggarty Aiden Haggarty ... Spud (aged 9)
Daniel Smith Daniel Smith ... Begbie (aged 9)
Elijah Wolf ... Tommy (aged 9)
Robert Carlyle ... Begbie / Begbie's Father
Steven Robertson ... Stoddart
Ewen Bremner ... Spud
John Kazek John Kazek ... Tom (Rehab Group)
Shirley Henderson ... Gail
Charlie Hardie Charlie Hardie ... Fergus (aged 9)
Scott Aitken Scott Aitken ... Farmer
Gordon Kennedy ... Tulloch
Jonny Lee Miller ... Simon
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Storyline

First there was an opportunity......then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis

Taglines:

Face your past. Choose your future.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for drug use, language throughout, strong sexual content, graphic nudity and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Twitter | See more »

Country:

UK

Language:

English | Bulgarian | Scots

Release Date:

31 March 2017 (USA) See more »

Also Known As:

T2 Trainspotting See more »

Filming Locations:

Edinburgh, Scotland, UK See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$170,575, 19 March 2017

Gross USA:

$2,402,004

Cumulative Worldwide Gross:

$41,681,746
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This is the first time since 1997 that Ewan McGregor and Danny Boyle have worked together (since A Life Less Ordinary (1997)). The two had a falling out when McGregor was passed over for the lead in The Beach (2000) in favor of Leonardo DiCaprio. McGregor stated they've since reconciled, and he considers the whole matter "water under the bridge". See more »

Goofs

In the scenes shot around the "Port Sunshine" pub you see local Scotrail electric trains running past, (the actual pub is in Clydebank), but they have dubbed the sound of high speed express diesel trains. See more »

Quotes

Simon: You know, since we're having this conversation, I can tell you that fully consentual, emotionally driven, not-for-profit sexual intercourse has been attained.
Renton: Simon, you're a romantic.
See more »

Crazy Credits

The initial final credits appear over modified scenes of tower blocks and other buildings being demolished. Once the cast credits appear, the background changes to amorphous, swirling, mainly black/ white/ grey shapes. See more »

Connections

Featured in Breakfast: Episode dated 23 January 2017 (2017) See more »

Soundtracks

Rain or Shine
Performed by Young Fathers
Written by Graham Hastings, Kayus Bankole, Alloysious Massaquoi & Timothy London
Courtesy of Big Dada
Published by Just Isn't Music
See more »

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User Reviews

 
Not Sure Why They Bothered
29 January 2017 | by PyroSikThSee all my reviews

I was quite excited to see what Boyle and the gang could deliver with a follow-up.

Disappointment. Disappointment is what they delivered, if I'm honest. Let's just get this out the way first before I attempt to judge it on it's own merits; it just didn't feel like Trainspotting. Sure, all the characters are back, but Spud was the only one that really felt like the older version of his younger self. Renton is bland, uninteresting, and looks far too polished thanks to a now world-famous Ewan McGregor, Begbie's stint in jail seems to have robbed him of any sense of intimidation (ironically thanks to not being scrawny any more), and while Sick Boy's bleach-blonde hair and failed entrepreneurial mannerisms are still intact, he lacks the smarm from the first film (possibly forgivable considering the twenty years that have passed). Then there's the lack of narration, interspersed flashbacks, and a restraint in how much it actually decides to show, and it pretty much lacks any of the things that made the first film so revolutionary, and instead gives way to a much more traditional and Hollywood- polished film.

But judged on it's own merits? The story is a little lacking, bar a few choice moments and sub-plots. The first act is entirely focused on showing where these guys have been for the last twenty years. Renton is back from Amsterdam with a wedding ring on his finger and a story of ill health, Sick Boy has been pimping out his girlfriend in order to blackmail wealthy individuals with a particular fetish that's not all that shocking by today's standards, Begbie's been couped in prison, and Spud lived a happy life with Gail and their son, until he lost everything thanks to British Summer Time and reverted back to the life of a junkie. It takes quite a while before they all band together; Renton, Sick Boy and Spud endeavour to create a "sauna" in a pub Sick Boy inherited, while Begbie is out for violent vengeance against Renton. As stories go, it's a little underwhelming, and ultimately boils down to spoiling the perfectly profound ending of the first film through over-explaining.

It's not a complete failure though. Begbie's place in the story adds excitement and tension, and thankfully stays true to his character, but is ultimately a little superfluous and coincidental (he manages to break out of jail the same time Renton returns?). Spud's sub-plot is by far the most interesting, the most heart-felt, and the most powerful. He was a little pushed aside in the first film, but he welcomes a lot of great development the second time around.

Humour-wise, again it has it's moments, but is otherwise a little underwhelming. Renton and Sick Boy's song about a conflict in 1690 is certainly an entertaining highlight, and many of Begbie's scenes are bathed in a cruel sense of light- heartedness, but in all I didn't find myself laughing all that much. Satirically it's lacking as well. It tries to poke fun at middle aged men in a modern world they don't fully understand, but it often feels like being whacked over the head with a 2x4. Renton's updated 'Choose Life' speech, for instance, lacks any resemblance of sarcasm or subtext and pretty much just spells it out for you.

Musically it's a bit of a mixed bag, and I mean that literally. It attempts to strike a smooth balance between those iconic tracks of the movie twenty years ago, as well as injecting some music a little more modern. Iggy Pop's Lust for Life and Underworld's Born Slippy return, but not as you remember them; the former remixed by The Prodigy, and the latter slowed down and warped. For modern music there's a selection ranging from Wolf Alice to Young Fathers, and just to appeal to the older viewers and their nostalgia there's a heavy dose of Pet Shop Boys, Queen, and Blondie. Ultimately though, none of it is nearly as iconic or memorable as it wants to be. The modern tracks are bland and forgettable, and the old tracks are so overused they've drifted into cliché. Honestly, the remixes were the best part of the whole soundtrack, embodying the very notion of the old, modernised.

T2 isn't a complete trainwreck. Judged on it's own merits it's a well-made film that tells an interesting, if slightly underwhelming tale of middle-aged men in a modern world they don't understand. The last twenty years haven't been kind to this group of friends, and the next twenty don't hold any promises either; "He gave me thirty years. What am I supposed to do with thirty years? Two or three I could figure something out, but thirty?!" At the end of the day, T2 can't decide if it wants to be it's own thing, or be a direct descendant of it's predecessor. It wants to break away with a new format and new sensibilities, but can't stop itself from pointing out the connections with blunt-force trauma. I give T2 Trainspotting a disappointingly average 6/10. If I ever watch it again, it'll purely be for Spud's sub-plot, which was actually brilliant.


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