Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-storey ... See full summary »
A woman who uses her bureaucratic job to convince divorcing couples to stay together is utterly committed to getting pregnant by her husband, in a future of dance parties, ritualistic orgies and fundamentalist Christianity.
In tropical Recife, in northeastern Brazil, temperatures drop to impossible lows and the inhabitants have to adapt. This 'mockumentary' gradually turns critical, looking at the climate, ... See full summary »
Kleber Mendonça Filho
Lia de Itamaracá,
The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
A spectacular rise and a hard fall. So it can be resumed the life of Simonal. Phenomenon of popularity in the 1960s, Simonal saw his meteoric career fall apart when he was accused of collaborating with the dictatorship.
Set in the near future, the film follows Teresa (Bárbara Colen), who comes home to Bacurau, a village in Brazil's semi-arid sertão, to attend her grandmother's funeral. Upon her arrival, Teresa immediately observes signs that Bacurau is in dire straits. Basic amenities are in short supply, mobile-phone coverage is fading, clean water supply is dammed and the truck that brings potable water arrives riddled with bullet holes. It soon becomes apparent that the corrupt government has forsaken the village completely: not only has Bacurau been literally erased from the map, but its citizens are under attack. As the responsible close in, the villagers must prepare an organized resistance to avoid greater damage.
Udo Kier cried for the first time in his 50-year career in a premiere after Bacurau's Cannes big day. He stated it wasn't just because of the film itself but the whole experience of filming it. See more »