Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-storey ... See full summary »
1945, Leningrad. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women search for meaning and hope in the struggle to rebuild their lives amongst the ruins.
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Souleiman, the lover of Ada, promised to another.
A woman uses her bureaucratic job to convince divorcing couples to stay together is utterly committed to getting pregnant by her husband in a future of dance parties, ritualistic orgies and fundamentalist Christianity.
Set in the near future, the film follows Teresa (Bárbara Colen), who comes home to Bacurau, a fictional village in Brazil's semi-arid sertão, to attend her grandmother's funeral. Upon her arrival, Teresa immediately observes signs that Bacurau is in dire straits. Basic amenities are in short supply, mobile-phone coverage is fading, clean water supply is dammed and the truck that brings potable water arrives riddled with bullet holes. It soon becomes apparent that the corrupt government has forsaken the village completely: not only has Bacurau been literally erased from the map, but its citizens are under attack. As the responsible close in, the villagers must prepare an organized resistance to avoid greater damage.
Brazil's runner-up for the 'Best Foreign Language Film' category at the 92nd Academy Awards in 2020; the official submission went to Invisible Life (2019). Both were deemed as favorites by audiences and critics. See more »
A movie that in the beginning is very fluid but once it starts to get solid, is a complete masterpiece.
An outstanding piece of art, violent,funny,bloody, lovely, is all about identity.
A complete movie.
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