When Sophie and Ethan are in the attic the naughts and crosses grid changes several times with the final naught in the top left corner eventually changing to a cross. See more »
So, we met at a party, and... it was magic. Within a half-hour we were driving up into this really nice neighborhood, and we were running down the stairs of some strangers back yard, and then we were swimming, and we were in love. What we didn't count on was that even though the lights were off, the owner of the home was there. And he came out screaming at us, and it was the greatest night of my life.
[they run and jump into the pool]
[continuing his story]
So me ...
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Playful, Surprising and Ambitious, It's Not Your Typical Romantic Comedy
A forehead-wrinkling bit of relationship fantasy that'll stick in your teeth for days. I found a lot of thematic similarities between this one and Being John Malkovich. Though it's not nearly so dark and grim about it, The One I Love delights in asking similarly deep, puzzling questions about the root of an unhappy relationship and the sense of futility that's so often associated with mending something so broken. Of course, like Malkovich, it's also based around a weird, jolting plot device that skirts explanation for its own benefit. The real allure of that vehicle, of course, isn't with the solemn inspection of its construct, it's with the games it directs with the main players. Usually I'm the first to complain when such an elephant is left ignored in the back of the room, but in this case (if you'll excuse the string of metaphors) I think it would be a case of missing the forest for the trees. It's not perfect - the false-finish is telegraphed and the second act sags at times - but it deserves praise for trying something so fresh, and for evenly exploring both sides of the central relationship. Men will see the movie one way, women will see it another, but both will leave with a better understanding of the other's perspective.
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