Two Days, One Night (2014)

Liège, Belgium. Sandra is a factory worker who discovers that her workmates have opted for a EUR1,000 bonus in exchange for her dismissal. She has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.

Directors:

Jean-Pierre Dardenne, Luc Dardenne

Writers:

Jean-Pierre Dardenne, Luc Dardenne

Stars:

Marion Cotillard, Fabrizio Rongione, Catherine Salée

Nominated for 1 Oscar. Another 40 wins & 73 nominations.

Cast

Cast overview, first billed only:
Marion Cotillard	...	Sandra
Fabrizio Rongione	...	Manu
Catherine Salée	...	Juliette
Baptiste Sornin	...	M. Dumont
Pili Groyne	...	Estelle
Simon Caudry	...	Maxime
Lara Persain	...	Femme de Willy
Alain Eloy	...	Willy
Myriem Akheddiou	...	Mireille
Fabienne Sciascia	...	Nadine
Anette Niro	...	Nanna
Rania Mellouli	...	Fille Timur
Christelle Delbrouck	...	Barwoman
Timur Magomedgadzhiev	...	Timur
Hassaba Halibi	...	Femme de Hicham (as Hassiba Halabi)

Storyline

Sandra Bya, married with two children, has been off work from her job at Solwal on medical leave for depression. During her absence from work, her boss, M. Dumont, on the suggestion of her immediate supervisor, the shop foreman Jean-Marc, figures that her section of the company can function with sixteen people working full time with a bit of overtime instead of seventeen with no overtime, that seventeenth person being Sandra. Because of the global competition the company faces, Dumont decides the company can only finance the annual bonuses for those sixteen employees, which are EUR1,000 per person, or Sandra's job, leaving the decision to those sixteen. On a Friday near the end of her medical leave, Sandra learns of this situation from her friend and co-worker Juliette after the "show of hands" vote is held, the result a 13-3 decision for the bonuses over Sandra's job. Because Juliette knows Jean-Marc, who is determined to get rid of Sandra, influenced the vote by scare mongering ...

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Plot Keywords:

injustice | depression | xanax | bonus | employer employee relationship | 

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for some mature thematic elements

Details

Official Sites:

Curzon Home Cinema [UK] Diaphana Films [France]

Country:

Belgium France Italy

Language:

French Arabic English

Release Date:

21 May 2014 (Belgium)

Also Known As:

Two Days, One Night

Filming Locations:

Seraing, Liège, Wallonia, Belgium

Box Office

Budget:

€7,000,000 (estimated)

Opening Weekend:

$122,403 (Belgium), 21 May 2014, Limited Release

Opening Weekend USA:

$31,000, 2 January 2015, Limited Release

Gross USA:

$1,436,243

Cumulative Worldwide Gross:

$9,016,922

Company Credits

Production Co:

Les Films du Fleuve,Archipel 35,BIM Distribuzione

Technical Specs

Runtime:

95 min

Sound Mix:

Dolby Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Shot in 11 weeks with a previous period of 5 weeks of rehearsals.

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Quotes

[first lines]
Sandra: Hello? I was resting. Just a second. I have to get my tart out. I've made a tart for the kids. Yes, why? Tell me why. No. No, Juliette. No.
[hangs off the phone]
Sandra: You mustn't cry.

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Connections

Featured in The View: Guest Co-Hosts Tony Gonzalez, Tracey Wigfield & Margaret Cho/Marion Cotillard (2015)

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Soundtracks

Lunch pop
Written by Olivier Hauregard
Performed by Olibwoy
© Olivier Hauregard
(p) Label Infraroots

User Reviews

Solidarity

Imagine trying to recover from depression only to discover that your illness was in danger of costing you your job; or worse, that in your absence your boss had asked your colleagues to vote for retaining you, or receiving their annual bonus. Imagine then having to visit those colleagues and beg them not to vote for you to lose your livelihood. This is the grim scenario for the Dardenne brothers' film 'Two Days, One Night', whose strength lies in the fact that nothing is presented in an overly melodramatic fashion: it's a simple, hard story of people doing what they have to do, as best as they are able. In a a way, it's also the film's weakness: in a moment of inner despair, the lead character overdoses, but it's so internalised that the incident is strangely quiet and unremarkable. But overall, the film is a telling exploration of the scope, and limits, of human solidarity; and the ending is a nice mixture of the positive and the realistic.