Set on the streets of 17th-century Paris, "The Musketeers" gives a contemporary take on the classic story about a group of highly trained soldiers and bodyguards assigned to protect King and... Read allSet on the streets of 17th-century Paris, "The Musketeers" gives a contemporary take on the classic story about a group of highly trained soldiers and bodyguards assigned to protect King and country.Set on the streets of 17th-century Paris, "The Musketeers" gives a contemporary take on the classic story about a group of highly trained soldiers and bodyguards assigned to protect King and country.
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Comparing books to on screen representations is always tricky; what you see on the page isn't going to be the same as others may. The Musketeers have appeared in so many guises, from Charlie Sheen and Kiefer Sutherland camping it up in 1993 (between this and Batman and Robin, it's amazing Chris O'Donnell has continued to do so well), through to the kiddy cartoon 'Dogtanian and the Three Muskehounds'. Do a search for a picture of Porthos, and you'll likely find Captain Archers Beagle from Enterprise. They have become a pastiche of themselves, more known for their catch phrase as their actual back stories.
None have really got as close to the original books as this series.
Aramis may be a former priest, who seems able to charm any lady he comes into contact with, but neither of those qualities are over played. Athos is a dark, brooding, level headed father figure in the group. His back story with Milady de Winter becomes apparent quite quickly, and is sure to continue to be a thorn in the side of the Musketeers adventures. Porthos becomes much more real in this series. Still larger than life, still living life with violence and a smile, but with a much broader history and reason for being the way he is. They've fought in wars in the name of the King, and come out with not only the scars but the camaraderie that goes with it. Captain Treville does a great job in keeping them in line.
And D'Artagnan is the country bumpkin. Ruled by his passions, his skill as a Musketeer are evident, but he still need tempering. He has great great chemistry with Constance, who is friend, mummy and potential love interest to him, but like Athos/Milady, that journey will take a while to reach fruition.
This is definitely the best Cardinal. Yes, he's evil. Yes, he plots and schemes to destroy the Musketeers. And, yes, his motivations are driven by more..fiscal..desires. Yet, he's also a lot more believable and watchable for doing so. Not just some one dimensional monster, with a single plan, he even helps the Musketeers at times (for his own benefits, of course). The Musketeers may not like him, but nor can you see them running him through, like they do to many of their other foes.
The sets and costumes are great; from the Musketeers understated leather armour, to the Cardinals pitch black flowing cloak that make him look like a Dr Who baddie (yes, the irony). From the Royal palaces with their sumptuous ceilings, to the hustle of the newly redesigned Paris. It flows. The quality may be film set clean (and there may be the occasional Hollywood explosion), but it all adds to the overall rip roaring adventure, that fits perfectly into the time slot allowed, while the characters and their interplay pulls the stories along at a brisk pace.
None have really got as close to the original books as this series.
Aramis may be a former priest, who seems able to charm any lady he comes into contact with, but neither of those qualities are over played. Athos is a dark, brooding, level headed father figure in the group. His back story with Milady de Winter becomes apparent quite quickly, and is sure to continue to be a thorn in the side of the Musketeers adventures. Porthos becomes much more real in this series. Still larger than life, still living life with violence and a smile, but with a much broader history and reason for being the way he is. They've fought in wars in the name of the King, and come out with not only the scars but the camaraderie that goes with it. Captain Treville does a great job in keeping them in line.
And D'Artagnan is the country bumpkin. Ruled by his passions, his skill as a Musketeer are evident, but he still need tempering. He has great great chemistry with Constance, who is friend, mummy and potential love interest to him, but like Athos/Milady, that journey will take a while to reach fruition.
This is definitely the best Cardinal. Yes, he's evil. Yes, he plots and schemes to destroy the Musketeers. And, yes, his motivations are driven by more..fiscal..desires. Yet, he's also a lot more believable and watchable for doing so. Not just some one dimensional monster, with a single plan, he even helps the Musketeers at times (for his own benefits, of course). The Musketeers may not like him, but nor can you see them running him through, like they do to many of their other foes.
The sets and costumes are great; from the Musketeers understated leather armour, to the Cardinals pitch black flowing cloak that make him look like a Dr Who baddie (yes, the irony). From the Royal palaces with their sumptuous ceilings, to the hustle of the newly redesigned Paris. It flows. The quality may be film set clean (and there may be the occasional Hollywood explosion), but it all adds to the overall rip roaring adventure, that fits perfectly into the time slot allowed, while the characters and their interplay pulls the stories along at a brisk pace.
Having read all the books a few times over the years I was really looking forward to watching this, what a disappointment. Why do producers and scriptwriters think they can do better than the author? There is plenty of material to explore within the three books. The locations and visual period feel is well done however the dialogue is dire. Captain of the musketeers "you three my office now" about sums it up. The setting is Paris 1620 but the feel is America 2014, modern cops and robbers in drag really. The only good thing is that it has encouraged me to dust the books off and re read them. This is really well done children's television not for anyone who wants to watch some gritty drama with some depth and decent dialogue to give some form of period feel. Too modern for my taste and too simple.
A very nice TV show with a wonderful flair, the sets, the costumes, the actors everything just fits perfectly.
The show really makes you feel like being right there in the 17th century. So many interesting characters, you really feel with the characters. I liked every season, there's a lot of variety no episode feels the same.
--8 out of 10 stars--
--8 out of 10 stars--
Well acted, always good and often surprising plot twists, entertaining historical fiction, detailed production, good musical score, convincing character development...recommend all 3 seasons as each has one or more unique plot elements yet they all tie together. Straightforward and fun yet surprisingly thought-provoking. Generally true to time and place if not event, and with contemporary sensibility, these tradeoffs are acceptable and enjoyable aspects of modern dramatization. Tom Burke is excellent as Athos, and there really are exceptionally good cast members and performances even in supporting or special roles for a season or episode. A few nice surprises along the way with occasional indulgences. Good action scenes but nice overall balance with court intrigue, romance, politics, and character arcs. Appropriate for family audiences.
I have to admit I found the first episode OK it wasn't amazing, but the second episode the characters started to grow on my - love the casting on all the musketeers and well.... its Peter Caapaldi!!
I always enjoy a light hearted historical adaptation and have to admit my favourite thing about this series so far is the costumes and the sets - the lighting is fantastic. It really gives the show the right atmosphere. it i'm being fussy the one thing that I wholly dislike is the theme tune - I just don't think it fits.
Give it a chance we are only just getting to know them, its fun, its frolicy, its BBC 1 on a Saturday night!
I always enjoy a light hearted historical adaptation and have to admit my favourite thing about this series so far is the costumes and the sets - the lighting is fantastic. It really gives the show the right atmosphere. it i'm being fussy the one thing that I wholly dislike is the theme tune - I just don't think it fits.
Give it a chance we are only just getting to know them, its fun, its frolicy, its BBC 1 on a Saturday night!
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Did you know
- TriviaDuring filming of the finale, Peter Capaldi dislocated his thumb during an 'overenthusiastic' take (according to actress Maimie McCoy). She said "...his thumb had completely dislocated - he'd quite instinctively just slipped it back in - and then the colour went from his face."
- GoofsThe characters are shown numerous times holding loaded firearms downwards. At the time all firearms were muzzle loaded weapons and pointing a gun downwards meant that the ball would travel back along the barrel and lessen the impact of any projectile. During this period it was a common practice to hold them upwards.
- ConnectionsFeatured in The Wright Stuff: Episode #19.10 (2014)
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- Những Chàng Ngự Lâm
- Filming locations
- Chateau Ploskovice, Czech Republic(King's Palace)
- Production companies
- See more company credits at IMDbPro
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