Navy S.E.A.L. sniper Chris Kyle's (Bradley Cooper's) pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
World War II American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
1945, in World War II Germany, the tough Sergeant Don 'Wardaddy' Collier commands a tank and survives a German attack with his veteran crew composed of Boyd 'Bible' Swan, Trini 'Gordo' Garcia and Grady 'Coon-Ass' Travis. He receives a rookie soldier Norman Ellison as the substitute for his deceased gunner and he tries to harden the youth along the way.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During filming, Brad Pitt and Shia LaBeouf almost got in a real fight with Scott Eastwood while the cameras were rolling. Eastwood, riding on the back, kept spitting tobacco juice onto the tank. Pitt and LaBeouf felt this was disrespectful, and exchanged words with Eastwood. Things got heated until Pitt and LaBeouf found out the script called for Eastwood's character to spit his tobacco juice onto the tank. See more »
Ellison says he's only been in the Army for eight weeks. In 1944, Army basic training was 12 weeks. He could not have gone through basic training, additional specialty training (even as a clerk typist), taken leave (which soldiers were granted after training) and deployed to Europe in just eight weeks. See more »
Grady 'Coon-Ass' Travis:
Norman, I'm sorry. You know? I think... I think you're a good man. That's what I think. I think maybe we ain't, but... I think you are. So, just... I wanted to tell you that.
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The opening title is indirectly shown by the painting on the tank. See more »
People seem to think that war films are pretty hot right now, but they aren't. Having my ear so close to cinema I know for sure that there is always one or two war films floating around in the projection booths, but people are making somewhat of a big deal out of Fury, so I suppose the reel question is will this be a Flag For Our Fathers or will it make us wish for Apocalypse Now?
So lets get this out of the way now. Fury isn't as good as Saving Private Ryan, but then I don't think it ever meant to be, comparing the two movies is like saying that Saun Of The Dead isn't as good as The Book Of Eli, just because both films has similarities (in as much as they are set at the end of the world) doesn't mean they are anything alike. These are two films that are near logger heads with each other.
You see Fury is contained, and given an almost claustrophobic feel to it, the entire film is either inside or at close proximity of the tank that Collier commands. This gives the movie a focus, and a focal point. We are never given a rest from the tank and it's enforcing nature, we are given no repreave from it, just like the men themselves, we are trapped in a steel giant that is only purpose is to kill people.
To say that Fury is bloodthirsty would be an understatement, actually that's not fair for me to say. Fury doesn't enjoy itself in gore, it only tries to give us an accurate portrayal of what it must have been like for those brave men and women who faced death on a daily basis.
That's what David Ayer does really well, he controls his audience. In the opening scene we are shown Collier (Brad Pitt) ambushing and attacking a German officer, it is crude and desperate and over quickly but we can tell even then that is a man who cannot cope with the horrors he has had to endure.
Looking back there are so many moments in Fury that stand out as impressive. There is a single second where Collier shows his true emotions and it is incredible to view. Collier is a man who is forced to be a hero, he never chooses it, he wants only to survive this war.
Any war film can be impressive in it's action sequences, anyone can make loud noises and explosions and fighting, but if a war film can still shock and grip and captivate you in the slower periods, in the silences, that's when you know for sure you have an outstanding movie, and that is what happens with Fury.
Like all war movies, Fury ultimately builds to a climatic finale and truly I think it's one of the best I've ever seen, not because of the action or it's quality of visuals but because we have invested too much into the characters we have seen on screen.
The film of course would be nothing without the men inside the tank, those being Brad Pitt (who helms the best), Shia LaBouf, Logan Lerman, Michael Pena and Jon Bernthal. With these men there is no star, or main character, outside the tank the two leads are Logan Lerman (Who plays the new recruit) and Brad Pitt, however once we are inside the tank all men are equals, and dare I say it, but Shai LaBouf is actually quite good in his role. It's also always nice to see Jason Issacs on screen (hello to you).
Fury is a poignant and painful reminder of how much war can take from each of us, it is a film that never wants us to relax and we never do. Gory and gripping, Fury deserves a high spot in the history of war movies.
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