Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
1945, in World War II Germany, the tough Sergeant Don 'Wardaddy' Collier commands a tank and survives a German attack with his veteran crew composed of Boyd 'Bible' Swan, Trini 'Gordo' Garcia and Grady 'Coon-Ass' Travis. He receives a rookie soldier Norman Ellison as the substitute for his deceased gunner and he tries to harden the youth along the way.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At about 1 hour 45 minutes into this movie, Brad Pitt's character quotes 1 John, chapter 2, verses 15-17 to Shia labeouf. Coincidentally, this was the exact bible verse read to Shia labeouf's character and the congregation in a church scene at about 24 minutes into the movie, lawless(2012). See more »
In the opening scene when Fury's crew first gets the tank rolling, Wardaddy calls, "Bible, gun front." The camera cuts to Bible with a "Roger," then Coon-ass, then Gordo, then five hanging Nazi medals. The last metal shown is the Cross of Honor of the German Mother, given to German women who'd had 6 or more children (the gold version was for 8 or more children). The tank crew wouldn't have found it on a soldier, and likely would not have it proudly displayed if they'd taken it off a civilian woman. See more »
Norman! you cocksucker! why didn't you take the shot?
Because he was just a kid. I'm really sorry, I'm sorry sergeant
[Grabs him by the helmet]
You see what a kid can do? Look!
[Looks at Lt. Parkers Deceased Corpse]
That's YOUR fault, That's your fuckin' fault. Next German you see with a weapon you rake the dog shit outta em'. I don't care if it's a baby with a butter knife in one hand and momma's titty in the other you chop him up!
[Wardaddy smacks him in the head]
All tanks, this ...
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Real Word War II archive footage is shown during the first part of the end credits. See more »
David Ayer is an up-and-down director for me. For every film of his I love (STREET KINGS, SABOTAGE) there seems to be one I equally hate (END OF WATCH). Thankfully, FURY is at the top end of his scale, a straightforward war epic centred around the crew of a single tank as they trundle through the German countryside and encounter Nazis at every turn.
This is a war film as it should be: gruelling, violent, and dehumanising. The attention to detail is remarkable and the action scenes are expertly staged, as you'd expect from the experienced Ayer; you really feel like you're on the ground with these soldiers and taking part in the combat. The first tank assault is my favourite scene, as it's an example of blistering, never-seen-before action, although the extended powerhouse climax is almost as good.
Yes, the story is predictable and the clear-cut characters a little too simplistic. But Ayer counters this by incorporating interesting actors into the tale. A weary Brad Pitt plays virtually the same character as he did in INGLOURIOUS BASTERDS and is fine for it, while Shia LaBeouf gets to play a character support role for a change. Jon Bernthal (THE WALKING DEAD) remains a scene-stealer, and Logan Lerman shows a little more experience in his acting than in previous years. FURY is a dark and depressing film, but the vibrancy of the cinematography and all-out action makes it one to watch.
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