Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact. But even more importantly, he will have to face himself and the choices he has made.Written by
In one scene, Locke is pretending to talk to his dead father, when he remarks "I could've broken your back, but I didn't!". In the Dark Knight Rises (2012), Bane, played by Tom Hardy, breaks Batman's back. See more »
Locke talks about 350 metric tonnes of concrete as being the largest concrete pour in Europe ever (apart from nuclear and military facilities). Concrete is calculated by volume. 350 tonnes is about 160 cubic metres - basically about enough to fill a room that is 9 metres long x 9 metres wide x 2 metres deep. The price of this concrete would be somewhere in the region of £10,000 at 2014 prices. Many projects exist where over 3,000 cubic metres has been poured in a day (about 6,600 tonnes), so 350 tonnes isn't something a decent sized company would get too excited about, and you could probably complete it in 3-4 hours with just one concrete pump. See more »
Tom Hardy plays Ivan Locke, a successful construction manager who makes a major decision on his journey home which will impact on every aspect of his life.
This a low budget drama from writer and director Steven Knight with Hardy the sole screen presence. As he takes to the road he is seemingly a man in control of his destiny, determined to do the right thing only for everything to slowly unravel. Through conversations on the phone he tries to negotiate an emerging crisis at work with his boss and an evolving domestic situation with a concerned wife and sons desperate to have their dad home to watch the football.
With a premise of just one actor in a confined location it is testament to Hardy's acting nous that he can pull off such a taught, powerful performance solely based on reactions to the increasingly dramatic phone calls. Locke is unrelenting in his belief of doing the right thing and we see why when he has imagined conversations with his father, an apparently neglectful and emotionally absent figure in his life. These scenes in particular are beautifully shot with the use of Locke looking into the car mirrors for the man who isn't there.
It wastes very little of its short running time and overall is a captivating and rewarding film with a terrific central performance.
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