Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact. But even more importantly, he will have to face himself and the choices he has made.Written by
The movie had an unconventional shooting schedule. Tom Hardy filmed his part in 6 days, shooting the movie twice per night as it was filmed in a single take. The other actors were in a hotel room, speaking on the phone with Hardy, who was on location. See more »
Locke talks about 350 metric tonnes of concrete as being the largest concrete pour in Europe ever (apart from nuclear and military facilities). Concrete is calculated by volume. 350 tonnes is about 160 cubic metres - basically about enough to fill a room that is 9 metres long x 9 metres wide x 2 metres deep. The price of this concrete would be somewhere in the region of £10,000 at 2014 prices. Many projects exist where over 3,000 cubic metres has been poured in a day (about 6,600 tonnes), so 350 tonnes isn't something a decent sized company would get too excited about, and you could probably complete it in 3-4 hours with just one concrete pump. See more »
Look. Look and fucking learn. I drove in this direction and there will be a new person when I get there. Yes, because of that night. Constructed out of two bottles of wine and somebody feeling lonely. How could you ever beat that for a construction?
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A lesson of how unique and quite fantastic minimalist cinema can be.
A surprise at the 57th London Film Festival. A film where the whole story takes places inside the confines of a car, and with Tom Hardy as the one-man star. But just how well does it work?
Tom Hardy, known best for majors roles in The Dark Knight Rises and Inception drops the theatricality and larger than life appearances and takes on the role of average man Ivan Locke, a building site manager, who over the past nine years has made his life as solid as the concrete he is in charge of pouring. Concrete is his religion. On the eve of the biggest job yet, also Europe's largest ever - we follow his car journey from Brighton to Croydon as the world around him slowly crumbles and he loses it all.
British Screenwriter and Director Steven Knight, brings us yet another gripping British drama, after previously making Hummingbird starring Jason Statham earlier this year. Clocking in at just under 90 minutes, Locke is refreshingly short and never over stays its welcome. The narrative is actually so constant that even when Hardy is not in hands- free phone switchboard mode, we capture another underlying story. Locke provides just as much a character journey as it does a car journey.
During the recent UK Premiere, producer Paul Webster recalls his initial talks with Steven Knight, in which he said; 'I want to do something quite different, in a confined space, about a guy whose life changes during the course of one car journey. And we never leave the car.' And that is literally what happens. Bringing an ideal mix of humour and emotion to the project, Hardy's taunt performance is mesmerizing. The put-on Welsh accent is pretty decent also. Filmed in just eight nights and with very low budget, the film is literally a lesson of how unique and quite fantastic minimalist cinema can be.
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