Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
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Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact. But even more importantly, he will have to face himself and the choices he has made.Written by
Tom Hardy (Ivan Locke) and Tom Holland (Eddie) are both prominent characters in the Spiderman Universe, with Hardy playing Venom in Venom (2018) and Holland playing Spiderman in Captain America: Civil War, Spiderman: Homecoming, and Avengers: Infinity Wars. See more »
The film follows the journey of Locke towards London from an unspecified location some 90 minutes north of London. However, the construction site at the beginning of the film, and hence at the start of the journey, is actually the Broadgate Circle development in the City of London, also known as 5 Broadgate. This is evidenced by the fact that Liverpool Street station is clearly visible in the background of the wide shot, along with several lesser-known but easily identifiable buildings such as 100 Liverpool Street. Locke's car is initially parked just north of the site, at the corner of Appold Street and Sun Street in London. See more »
Tom Hardy plays Ivan Locke, a successful construction manager who makes a major decision on his journey home which will impact on every aspect of his life.
This a low budget drama from writer and director Steven Knight with Hardy the sole screen presence. As he takes to the road he is seemingly a man in control of his destiny, determined to do the right thing only for everything to slowly unravel. Through conversations on the phone he tries to negotiate an emerging crisis at work with his boss and an evolving domestic situation with a concerned wife and sons desperate to have their dad home to watch the football.
With a premise of just one actor in a confined location it is testament to Hardy's acting nous that he can pull off such a taught, powerful performance solely based on reactions to the increasingly dramatic phone calls. Locke is unrelenting in his belief of doing the right thing and we see why when he has imagined conversations with his father, an apparently neglectful and emotionally absent figure in his life. These scenes in particular are beautifully shot with the use of Locke looking into the car mirrors for the man who isn't there.
It wastes very little of its short running time and overall is a captivating and rewarding film with a terrific central performance.
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