For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Eight candidates for a highly desirable corporate job are locked together in an exam room and given a final test with just one question. It seems simple yet confusing that soon, tensions begin to unravel.
Three friends discover a time machine which takes pictures of the future. They begin to use it to win race bets and everything goes fine till one gets greedier than another. They begin to lose faith in each other giving a sense of backstabbing as uglier truths unfold in the photos and the situation soon gets out of control.Written by
The plot of this film is very close to that of the episode The Twilight Zone: A Most Unusual Camera (1960), from season two in 1961. Thieves steal a camera from a curio shop, discover it can take pictures of events some short time in the future, and try to use it to win at horse racing and other things. See more »
Ivan's fake wig and mustache are painfully obvious. His beard is either better or it's his own. See more »
[banging at the door]
Finn, don't get up, I got it.
[pushing through the door carrying a heavy box]
See more »
The first rule of fight club is Never Talk About Fight Club.
Whats the first rule of Indie films? OK, times up.
The first rule of Indie films is ... Indies don't HAVE to be bad, people JUST MAKE THEM THAT WAY.
This indie opus seems to be the brainchild of Bradley King, who wrote and directed. His IMDb resume suggests mainly short subjects and TIME LAPSE looks like the attempt to break to the next level.
Let's start with the premise, the logline.
The other reviewers have already covered it.
Really clever. Way above average. While the "future cam" thing has been done before -- I remember this from a comic book in the 60s, actually -- the whole story is well thought out.
And the intro in particular, the setup, is very well done.
But ... the real issue ... is this a feature? Is this a full-length feature with ebbs and flows, ups and downs, that a viewer can connect with? Remember that for the producer/director/writer (on the other side of the camera from the viewer) the ultimate goal of an indie is produce a film at the lowest possible expense. Which means minimal actors, usually young or unknown, minimal sets, minimal special effects, and pretty much minimal everything.
And that is the issue here. This is a full length film, yes, but it hooked me, the viewer, for only about 15 minutes before I realized that the core premise was going to be stretched, and stretched, and stretched, with the same cast and same sets, and same "what if" circular dialog, until something broke.
In this case it was me.
15 of 26 people found this review helpful.
Was this review helpful to you?
| Report this