5.5/10
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19 user 89 critic

Miss Julie (2014)

Trailer
1:30 | Trailer

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Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.

Director:

Liv Ullmann

Writers:

August Strindberg (play), Liv Ullmann (screenplay)
1 win & 7 nominations. See more awards »

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Photos

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Cast

Credited cast:
Jessica Chastain ... Miss Julie
Colin Farrell ... John
Samantha Morton ... Kathleen
Nora McMenamy Nora McMenamy ... Little Miss Julie
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Storyline

Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material involving sexuality, disturbing images, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Norway | UK | France | Ireland

Language:

English

Release Date:

10 September 2014 (France) See more »

Also Known As:

La señorita Julia See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Trivia

This was filmed at Castle Coole, Enniskllen. See more »

Goofs

Miss Julia's lipstick and coppery eye-shadow alternate from very faint to very apparent to very faint again during the long conversation in the kitchen. See more »

Quotes

[first lines]
Little Miss Julie: [reading] She had received a most beautiful doll as a present. Oh, what a glorious doll, so fair and delicate. She did not seem created for the sorrows of this world.
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Connections

Version of Fröken Julie (1912) See more »

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User Reviews

 
Painfully boring
29 November 2017 | by killerqueen-70395See all my reviews

I kept searching for a reason to care about these people and what they're going through. "It's a classic." "View it in the context of the time." Nothing. Nothing worked. A lot of the problem is how it was shot. At least on stage you can choose to watch the other character's reaction. But here, Ullmann keeps cutting to the person who is speaking, rarely cutting away. The repetitive style does not build tension, but monotony. Even great acting couldn't save it.


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