After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
After stopping off at Starbase Yorktown, a remote outpost on the fringes of Federation space, the USS Enterprise, halfway into their five-year mission, is destroyed by an unstoppable wave of unknown aliens. With the crew stranded on an unknown planet and with no apparent means of rescue, they find themselves fighting against a ruthless enemy with a well-earned hatred of the Federation and everything it stands for. Only a rebellious alien warrior can help them reunite and leave the planet to stop this deadly menace from beginning a possible galactic war.Written by
The motorcycle sequence was a nod to the Fast and the Furious films. Justin Lin directed the third, fourth, fifth and sixth Fast and the Furious films. See more »
When the Enterprise's deflector array is damaged, Kirk orders the ship to go to warp to escape the danger. According to Star Trek technology, starships can't go to warp without a deflector dish or they risk extreme damage from hitting particles at warp speed (the deflector, as it implies, deflects them). Given that the ship was in the process of being ripped into tiny pieces already, Kirk took a gamble. See more »
The Federation has pushed the frontier for centuries. But no longer. This is where it begins, Lieutenant. This is where the frontier pushes back.
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There is a giant green energy-hand, in the closing credits, mentioned in the movie as one of the possibilities for a ship lost in space. See more »
Where do I begin? As a lifelong Star Trek fan I had an uneasy feeling while watching this movie. I could not shake the sense that I was just looking at another mediocre summer popcorn flick; an experience that would evaporate from my brain just hours after I leave the theater.
I remember sitting in the cinema with my head low embarrassed by the movie, although I wanted it to prove me wrong ever since I saw the "Beastie Boys" trailer back in 2015. Instead, it dragged along with that "proven" Hollywood formula of what a summer hit should look like. Constricted by its own creative limitations I was looking at a product that was not a science fiction in its core, but a creation that had only one intention since its birth: to milk as much money as possible.
Star Trek Beyond was so devoid of the primordial concepts set up by Mr. Gene Roddenberry that it contributed to the confused identity of the picture. The plot of the movie is so "light" in its essence that it lacks the moral dilemmas, the exploration (inner and outer) and the development usually present in the Star Trek universe. There was neither message nor any character evolution and we did not learn more about anything really. Instead of Kirk, Spock and Scotty you could stick just any name over the protagonists and nobody would have noticed. The story was atrocious and full with plot holes patched up by unnecessary although flashy looking CGI.
Star Trek Beyond also has one of the weakest villains in its history. It was definitely not the actors fault and such a shame to waste the opportunity of having a strong artist like Idris Elba. It was the fault of the writer and the director who missed the opportunity to take Star Trek back on its track. Instead they created a cute flick full with needless CGI scenes, explosions and dialogue written for "dumb" audiences. Everything had to be explained to the viewers, nothing was left to the imagination. There was nothing to debate with your friends after the movie or something to stir your imagination or to push you to prod its meaning. Nothing like that at all, everything was given on a run-of-the-mill plate for the audience to consume in a shortest possible time frame.
The movie had its moments, so not everything was complete rubbish. I liked the character of Jaylah and some of the humor, but that was it. Some of the scenes were of course visually impressive though sometimes things would fly around too much and contaminate the image. Of course this movie was done by people, who know their job, but I am not pondering the execution and the skill of the artists, I am merely concerned about the soul of this thing we love so much.
This thing we used to know of as Star Trek.
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