A man experimenting with sound discovers he can use it for mind control. He begins testing it on his neighbors, with increasingly unforeseen consequences.
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Title: LFO (2013)
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3 wins & 2 nominations.
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Cast
| Cast overview, first billed only: | |||
| Patrik Karlson | ... | Robert | |
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Izabella Jo Tschig | ... | Linn (as Johanna Tschig) |
| Per Löfberg | ... | Simon | |
| Ahnna Rasch | ... | Clara | |
| Lukas Loughran | ... | Peter | |
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Erik Börén | ... | Sinus-San |
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Björn Löfberg Egner | ... | Sebastian |
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Agneta Nordin | ... | Swedish radio news announcer (voice) |
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Daniel Engman | ... | Telemarketer (voice) |
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Kjetil Mørk | ... | Norwegian radio news announcer (voice) |
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Fabian Maugeais | ... | French radio news announcer (voice) |
| Thomas Chaanhing | ... | Chinese radio news announcer (voice) | |
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Adam Elk | ... | American radio news announcer (voice) |
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Josh Record | ... | British radio news announcer (voice) |
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Pierre Malmqvist | ... | Radio show host (voice) |
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Plot Summary
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Plot Synopsis
Storyline
LFO is a contained Scandinavian drama/Sci-Fi about a man who realizes he can hypnotize with sound. He starts experimenting on his neighbors and, giving in to temptation, soon abuses his power. Eventually, the consequences for mankind prove severe. Written by Anonymous
Taglines:
Your brain. His gain. See more »Certificate:
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Details
Language:
SwedishRelease Date:
27 December 2014 (Germany) See more »Also Known As:
Генератор сигналов низкой частоты See more »Filming Locations:
Mölle, Skåne län, SwedenEdit
Box Office
Budget:
EUR500,000 (estimated)Company Credits
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IMDbPro »
Actually, LFO is an acronym for Low Frequency Oscillation, but it is also the delightfully Heath-Robinson story of the excellent Patrik Karlson's troubled acoustician and his increasingly obsessive behaviour. Writer/ director Antonio Tublén (who also wrote the electronic score) has fashioned a fine morality tale that (as good writing dictates) is plausible after the initial conceit is accepted. The film's tone is cold, it is almost emotionless and often claustrophobic, but this only multiplies its effectiveness in provoking the viewer's contemplation of increasingly challenging events. Karlson is ably supported by forthright performances from Izabella Jo Tschig and Per Löfberg as his neighbours, and Ahnna Rasch as his wife. In a landscape of modern cinema in danger of becoming dominated by endless high-rise multiplex pap, it's refreshing to discover such oases of intelligent and thoughtful film-making as LFO, and you owe it to yourself to see this film, if only to recharge the batteries of your Bay-sh-t detector.