Paranoia forces small-time scam artist Marty to flee his hometown and hide out in a dangerous Detroit. With nothing but a pocket full of bogus checks, his Power Glove, and a bad temper, the horror metal slacker lashes out.
Trevor Newandyke is a struggling comedian. Not only does he bomb on stage, but he bombs in everyday life. To him, it's the little things that matter most. He's fed up with the threats from ... See full summary »
With the impending Y2K apocalypse fast approaching, Abbie is faced with the ultimate challenge - the unbeatable level 256 on Pac-Man - and he can't get off the couch until he conquers it. A survival story set in a living room.
LFO is a dark comedy/drama/Sci-Fi about a man who realizes that he can hypnotize with sound. He starts experimenting on his neighbors, where the abuse of power takes over and, eventually, severe consequences for mankind are at stake.
Izabella Jo Tschig,
Bored office employee Marty, is out to cheat the system. One day he decides to make his escape by swiping dozens of undeliverable refund checks from his company. From here, his small-time scams manifest into paranoia and violence.Written by
The spaghetti scene was filmed in one take. The script did not call for a long shot, but director Joel Potrykus simply stood by, watching in awe, as actor Joshua Burge shoved more and more into his mouth. See more »
The Deviant, Slacker Version of "Napoleon Dynamite"
Paranoia forces small-time scam artist Marty (Joshua Burge) to flee his hometown and hide out in a dangerous Detroit. With nothing but a pocket full of bogus checks, his Nightmare Power Glove, and a bad temper, the horror metal slacker lashes out.
The film starts off strong, great impression of the main character without even showing his face. We then transition to a clever, devious and hilarious bank scene. Which gets better as it goes... heck, the film could stop after the first five minutes and it would be a winner.
There is no doubt the creator of this film loves horror. There are references to horror classics like "Nightmare on Elm Street", "Return of the Living Dead", "Wicker Man", "Demons" and "Suspiria". Heck, there is even a full-sized poster for "Leviathan", which is a rare find.
In summary, the film is one great scene after another. Treadmill Bugles? Brilliant. The spaghetti incident? Brilliant. Scamming a McDonalds? Brilliant.
Some critic smarter than me says the film is "notable for reigniting the angry young man niche, both in aesthetic and voice." Now, whether or not that is true is beyond me. Seems it is hard to reignite anything by itself... would it not have to create a trend? But it does have a man fighting against his own futility -- a futility he largely creates. And there is a message in there somewhere.
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