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6.8/10
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As a Juilliard professor is interviewed by a woman and her husband for her dissertation on the history of dance in 1960s New York City, it becomes increasingly clear that there are ulterior ... Read allAs a Juilliard professor is interviewed by a woman and her husband for her dissertation on the history of dance in 1960s New York City, it becomes increasingly clear that there are ulterior motives to the couple's visit.As a Juilliard professor is interviewed by a woman and her husband for her dissertation on the history of dance in 1960s New York City, it becomes increasingly clear that there are ulterior motives to the couple's visit.
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This is definitely a surprising film. If one knows what's going on beneath the surface, you wouldn't hesitate to try to guess how exactly the plot will turn out. But actually, the screenplay is quite detailed and it plays with its own conventions. Never does the film (aside from the ending) stray into exactly what you would expect. I don't think it's a flawless film, but it's definitely one that stands out in terms of never having seen this sort of movie plot play out like this, exactly. Stewart is absolutely fantastic. I could have definitely seen some awards traction had the film come out just at the end of 2014. Carla Gugino is also really strong actually, and proof that she was always a talent that deserved to make it bigger. Matthew Lillard has some impressive scenes, but he's also not nearly as strong throughout the whole film. Not a bad performance but i think that more could have been done with a better actor. Overall, really well done
Tour de force performance from Patrick Stewart. Unfortunately his role is not really captivating. The young man is more interesting. Ultimately as a film it falls short. Maybe it worked on stage. In some aspects I found Toby's character repulsive.
"Absolutely I remember Gloria Renaldi" Tobi (Stewart) is a acclaimed dance instructor in New York City at Juilliard. He agrees to be interviewed at his apartment regarding the history of dance. When the two interviewers, Lisa (Gugino) and Mike (Lillard) show up things quickly turn tense when Mike mentions a name from Tobi's past. Secrets are revealed and lives are changed. This is a good movie, but it is not for everyone. First off, this is based off a Broadway play and the movie plays as one. For the most part there is one location and only 3 actors. This is just talking. The acting is amazing though and the movie is worth watching for that. Stewart seems like the perfect choice for this role and Gugino really plays well off of him. All that said this is again a movie for a select few. I liked it OK but wouldn't watch it again. Overall, if you like Broadway one act plays then I would check this out, if you aren't a fan of that type of entertainment then I would skip this one. I give it a B-.
I'm not a movie reviewer. I probably couldn't tell the difference between a great performance and a bad one. I'm most certainly a bad judge of film, to give an example I love the movie Battleship. But I can't recall a movie that's ever left me with such a feeling after that I need the closure that comes from writing this. If that is any indication of how good this movie is so be it.
The story is as simple as a couple (Carla Gugino and Matthew Lillard) interviewing a ballet teacher (Patrick Stewart) with questions about his career. But, can we really ever talk about our lives without bringing up our life and the consequences it has for everyone? Especially so if the questions are driven by motive. In this context the movie starts to feel like the play it is from, so be prepared for intelligent dialog, scenes over analyzed, emotions too dark and complex. There are no explosions as in most American movies, except the ones of our characters.
If you're a fan of film festival movies, if you enjoy Broadway, if you prefer music from groups that are not mass market popular then this movie is for you. The characters are so real I felt like an intruder in their lives dealing with subjects so personal I had to avert my eyes to afford them a sense of privacy. All three actors, Stewart, Gugino, Lillard gave the best performances of their careers, which is bit of a surprise from Gugino and Lillard who I've enjoyed in the past but I regard as kind of one-note actors. You'd never know they had it in them which makes it a pleasure to watch.
Hurt people hurt people, and there is a lot of hurt and regret in this film. I left the theater wanting to give each of the characters the hug they sorely needed and deserved. Most emotionally drawn films cause you to cry when viewing them. This one made me cry long after, after I was able to piece together the lasting consequences of these strangers' encounter.
The story is as simple as a couple (Carla Gugino and Matthew Lillard) interviewing a ballet teacher (Patrick Stewart) with questions about his career. But, can we really ever talk about our lives without bringing up our life and the consequences it has for everyone? Especially so if the questions are driven by motive. In this context the movie starts to feel like the play it is from, so be prepared for intelligent dialog, scenes over analyzed, emotions too dark and complex. There are no explosions as in most American movies, except the ones of our characters.
If you're a fan of film festival movies, if you enjoy Broadway, if you prefer music from groups that are not mass market popular then this movie is for you. The characters are so real I felt like an intruder in their lives dealing with subjects so personal I had to avert my eyes to afford them a sense of privacy. All three actors, Stewart, Gugino, Lillard gave the best performances of their careers, which is bit of a surprise from Gugino and Lillard who I've enjoyed in the past but I regard as kind of one-note actors. You'd never know they had it in them which makes it a pleasure to watch.
Hurt people hurt people, and there is a lot of hurt and regret in this film. I left the theater wanting to give each of the characters the hug they sorely needed and deserved. Most emotionally drawn films cause you to cry when viewing them. This one made me cry long after, after I was able to piece together the lasting consequences of these strangers' encounter.
Tobi Powell (Patrick Stewart) is a private effeminate Juilliard dance professor with a long distinguished career. He gets interviewed by married couple Lisa (Carla Gugino) and Mike Davis (Matthew Lillard). They eventually reveal the true motive of their visit. They believe that Tobi is Mike's biological father.
Patrick Stewart is a well-established actor of the highest order. He can act circles around anybody. Gugino is a nice partner in this exercise. Lillard, known for playing goofballs, has some solid anger here. I would have liked for the three leads to stay together in that apartment and stew in the conflict longer. It boils over too quickly and Lillard leaves the room for too long. Stewart and Gugino play around for awhile. In the end, Stewart is great but that's not unexpected.
Patrick Stewart is a well-established actor of the highest order. He can act circles around anybody. Gugino is a nice partner in this exercise. Lillard, known for playing goofballs, has some solid anger here. I would have liked for the three leads to stay together in that apartment and stew in the conflict longer. It boils over too quickly and Lillard leaves the room for too long. Stewart and Gugino play around for awhile. In the end, Stewart is great but that's not unexpected.
Did you know
- TriviaThis movie was based on Stephen Belber's play of the same name, which premiered on Broadway in 2004 (starring Frank Langella as Tobi, Ray Liotta as Mike, and Jane Adams as Lisa).
- Quotes
Tobi Powell: I love my life. I regret my life. The lines eventually blur and... it's just my life.
- SoundtracksViento del Mar
Written by Lupez Nunez-Fernandez and Alasdair MacLean
Performed by Amor de Dias
- How long is Match?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Матч
- Filming locations
- Uptown, Manhattan, New York City, New York, USA(cited as Inwood section of Manhattan and the apartment house doorfront might be located there but the rooftop scenes were shot in Castle Village, probably 120 Cabrini Blvd, which is a bit further southin what is now known as Hudson heights. The A-train subway entrance they're showed exiting from is the 184th St exit of the 181st St stop on Fort Washington Avenue -- Inwood stops are Dyckman St and 207th St.)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $37,285
- Opening weekend US & Canada
- $6,000
- Jan 18, 2015
- Gross worldwide
- $2,472,931
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 2.35 : 1
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