The ironic, heartbreaking and acid "saga" of a spoiled tomato: from the plantation of a "Nisei" (Brazilian with Japanese origins); to a supermarket; to a consumer's kitchen to become sauce ... See full summary »
An absorbing and chilling documentary about the National Socialist aesthetic, and how attempts to create the Aryan Ideal caused the extermination of millions. Aspects covered include: ... See full summary »
During the period of 1964 to 1985, Brazil lived a military dictatorship. In the 60s, the Dominican friars Tito, Betto, Fernando and Ivo help leftist organizations. However, they are ... See full summary »
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981,... See full summary »
Tite de Lemos,
The Trial portrays the trial of Dilma Rousseff, focusing on the defense team, who struggles to prove her innocence against a majority vote by a Congress riddled with corruption. A tale of ... See full summary »
José Eduardo Cardozo
Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and... See full summary »
Young Tony decides to return to his hometown. There, he discovers his father has returned to France claiming to miss his friends and country of origin. Tony ends up becoming a teacher, and finds himself amid conflicts and inexperience.
Was the CIA responsible for the military coup d'état in Brazil in 1964? So-called "Operation Thomas Mann" is a reference to the then Assistant Secretary of State for Inter-American Affairs of the Lyndon Johnson Administration. It happens, however, that nonexistent documents were later forged by a Czech spy who, in 1964, operated in Brazil via KGB: Mr. Ladislav Bittman, who acted on behalf of Czechoslovakia's Service of Disinformation, and later told the story in his book "The KGB And Soviet Disinformation." Bittman wrote: "We wanted to create the impression that the U.S. were forcing the OAS to take an anticommunist position as the CIA planned coups d'état against the regimes of Chile, Uruguay, Brazil, Mexico and Cuba (...) The operation was designed to create vis-à-vis the Latin American audience a preventive policy against hard-line America, to incite demonstrations of intense anti- American sentiments and to label the CIA as a notorious perpetrator of undemocratic intrigue". Bittman's revelations were made public in 1985, but the Brazilian media never mentioned them, either through ignorance or for not wanting the public to be aware of long-standing lies. Anyway, the basic scenario was told in the 1970s by the American historian Phyllis Parker in her book "The Role of the United States in the 3/31 Coup." Parker interviewed the main players in the episode, having had access to most of the secret correspondence. She came to the conclusion that the 1964 coup was staged by Brazilians, not by Americans. This sounds obvious, but the alternative (leftist) version sustains that the takeover by the military was planned in Washington and included an invasion of Brazil by U.S. Marines. Phyllis Parker actually showed that the U.S. monitored the situation closely, lobbied with her usual aggressiveness, and did have a Plan B in case Brazil suffered a civil war. In the words of that historian, there is no evidence that the United States instigated, planned, directed or participated in the execution of the 1964 coup. In a nutshell, the so- called "Operation Brother Sam" denounced by this film did start, but was aborted as redundant. Democracy prevailed (unfortunately only for a certain time). All interviewees in this film take on a predictably politically correct, anti-American core stance. The film would be less unbalanced or sectarian if it didactically described the big picture, i.e. the broader context of the Cold War, the Foggy Bottom-inspired Domino Theory, the recent establishment of communism in Cuba, the assassination of JFK etc.
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