New World

'New World' is an epic gangster film from South Korean director, Park Hoon-jung. With actors such as Choi Min-sik (probably most well known for his role as Dae-su in 'Oldboy'), I was expecting this film to deliver something spectacular. And, well, it did. For the duration of the narrative, I could not tear my eyes away from the screen. While the pace of most films of this length tends to slow, or get a little dull, 'New World' kept a steady rhythm, full of political intrigue.

Undercover cop, Ja-seong (played by Lee Jeong-jae), leads a dual life. He has his job as a policeman, and the role of a gangster in a large crime syndicate that goes under the name of 'Goldmoon.' When the boss of the syndicate is killed in a car accident, Chief Kang (Choi Min- sik) puts a new project into effect called 'Operation New World'. The purpose of this operation is to ensure that one of the undercover cops in the syndicate will rise to a position of power. The ultimate aim is for the syndicate to be in the hands of, or at least easily manipulated by, a trusted law enforcer.

Ja-seong finds himself torn between his duties as a cop, and his loyalties to 'brother,' and gang member, Jung Chung (Hwang Jung-min). Putting more hours, and more effort into his work, Ja-seong finds less time at home with his pregnant wife, and more into the syndicate 'family'. Acting as a bridge between the law, and the underworld, the loyalty of Ja-seong is rarely questioned by his acquaintances. Yet, it is apparent that Ja-seong beings to question the nature of loyalty, and of betrayal. As he prepares to dive further into the syndicate, his confusion becomes ever more apparent.

Some of the conversations in 'New World' were gripping, and the portrayal of violent acts was just spectacular. The use of blood in these instances, paired with close ups, were some of the most aesthetically pleasing moments in the film. While not extremely violent, 'New World' uses violence in a manner that complements the pace of the film. The ruthless nature of the law, and the syndicate, was highlighted in these instances, and it is apparent that both sides can be as manipulative, and as corrupt, as one other. All the while, in the midst of this corruption, Ja-seong must find a place of power to call his own; he must create a whole new world.

Korean cinema has matured immensely over the past decade and 2013 has already seen The Berlin File which I believe would show quite well overseas. New World is perhaps a more domestically oriented movie that would be enjoyed more by those who understand Korean culture, however the casual movie-goer will definitely not be let down.

Take The Departed (Infernal Affairs) and Godfather, mix it in a blender, add a dash of Korean gangster and you've got a slick thriller that offers a bit of the brutal violence Korean cinema is known for as well as some humor. While not as polished as the Berlin File, it's arguably a better movie when it comes to plot.

All in all, it looks like a great start to the year for Korean movies.

I am surprised that more people (especially my friends from South Korea) haven't reviewed this excellent movie so far. Perhaps they know of better Korean cinema to view and review!! I for one am from India (settled in the US) and big fan of Korean films, which were introduced to me by a Korean friend of mine during my graduate school days here in the US. Anyhow, this is the only Korean movie I could lay my hands on in a theater close to me (I generally see Korean movies on Netflix or home video). Perhaps it is my excitement of having watched a Korean movie in a movie theater after so long which has me biased in favor of this film. But I think not, as the rating right now on IMDb is 7.7/10. Anyways, here goes.

This is an amazing movie. Like the only other reviewer here has said, it mixes elements of "The Godfather" with "The Departed". It also reminded me of a Hindi art house movie which is not so well known (unfortunately) called "Droh Kaal" (1994 by director Govind Nihalani). Park Hoon-Jung being an accomplished writer (I loved his "I saw the devil"), does craft an original and engaging story. Violence is heavy handed when it is depicted and makes you cringe, but I don't mind that personally. I loved the costumes (every gangster in the movie wears designer suits which should be the envy of Wall Street executives). In fact, its the law enforcement officials who are comparatively shabbily dressed. The feel and atmosphere is subtly captured by cinematographer Chung Chung-hoon. I love his camera work, which was only recently at display in "Stoker" (by Park chan-wook), which I saw the day it was out. It was also a treat to see Choi min-shik ("Oldboy") again after "I saw the devil".

Overall, the movie kept me on the edge of my seat and was really entertaining. It is definitely much better than what Hollywood is churning out these days (with a few exceptions of course). Let me hope they don't butcher my favorite "Oldboy". I would highly recommend "New World", please do go and see it in a theater to really get the feel (like I said earlier, the cinematography is top-notch and needs to be seen on a big screen to be believed!).

what a great Korean movie! the screenplay is shockingly and amazingly good. the scenario, the twists of the plots...OMG, just like a Russian artifact egg, so many smaller eggs one after another hidden inside another; a perfect onion, so many layers inside one after another, so subtly and so purposely wrapped each other. this is by far the most fantastic undercover film ever made after 'the infernal affair' and the adaptation 'the departed'. the special effects and the stunt of this film are also top notched. thank god there's no disgusting overly used visual effects done by computer, but more convincing stunts. the performances of all the actors, female or male, are also did great jobs. pay attention to the guy who played with the plant leaves, broken it, then sneakly turned the vase around a little bit to hide the broken leaf, that scene, well, was so good. the twists of the plot would make you sit up a bit straighter to the edge of your sofa or chair, 'cause it's that thrilling and suspenseful. love this movie and Hollywood, just give me a break, will you guys, don't adapt it into an inferior film again.

There's nothing more to say in order to recommend it, but IMDb requires me to so here goes.

If this were made in Hollywood, we wouldn't even be calling it Korean Godfather or Korean Infernal Affairs or a cross between the two. It is its own beast and excels at the most fundamental aspects of film-making in a way even the aforementioned films weren't always able to.

It's not perfect, I'd give it a 8.5 out or 9 out of 10 if I really wanted to be critical but it manages to carve out a place for itself in one of cinema's deepest genres. We haven't seen this kind of heavily character drama driven take on the genre before (and lucky for us, it was done so well!).