4.3/10
155
4 user 12 critic

Fat Shaker (2013)

Larzanandeye charbi (original title)
An illustration of gradual destruction of an urban monster.

Director:

Mohammad Shirvani

Writers:

Mohammad Shirvani (screenplay), Mohammad Shirvani
Reviews
1 win & 2 nominations. See more awards »

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Cast

Credited cast:
Levon Haftvan Levon Haftvan
Navid Mohammadzadeh ... Officer
Maryam Palizban Maryam Palizban
Hassan Rostami Hassan Rostami
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Storyline

The film introduces us to a father and his son; the older man is obese, unwell, and oppressive in his dealings with the younger, who is also deaf and mute. A series of cryptic, spellbinding episodes reveals a tyrannical paternalism at work that has long since hardened into a closed circuit of mutual pain. Enter a mysterious and beautiful woman of unspecified identity, who becomes an agent of change, embodying both an evolved consciousness and the power of the female as a rebuke to bankrupt patriarchy. Written by Sundance

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy | Mystery

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Details

Official Sites:

sourehcinema

Country:

Iran

Language:

Dari | Persian

Release Date:

14 January 2013 (USA) See more »

Also Known As:

larzanandeye charbi See more »

Filming Locations:

Tehran, Iran

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Mohammad Shirvani's 2nd feature film. See more »

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User Reviews

 
alireza.akhlaghi.official
16 September 2018 | by alireza-akhlaghi84See all my reviews

In an amateur manner, a movie was created for public viewing, the hardest part was to find the mental line for the achievement of what we expect from a movie. The dispersion and decentralization of the audience needed for what we describe the director's goal and the mission of the film seems to be the last priority. Perhaps the film did not plan at all for this. The presence of important actors in the film, each cinema encourages friendship to see the film, but the key question is: Is it enough? It is difficult to give a moderate score, but if we want to fairly depart from any line and the academic definition and relevance of the film, we can only have two peaks. One with the presence of Navid Mohammadzadeh in the role of police appearance and the other in the suicide of Levan in the pool showing all three mental illusions of a permanent man. The film also has irregularities in terms of imaging and editing, which can hardly be conceived for this form of structure or attribute it to a specific meaning. But you must see every movie, even moderate or bad, that ultimately leads to the definitions and characteristics of these outputs. With a general conclusion, it's only possible to imagine a postmodern structure for the film, so far as it is not being seen, it is a definite result, both in terms of paying and giving a question or, consequently, a satisfactory answer.


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