Alexandre Taillard de Vorms is tall and impressive, a man with style, attractive to women. He also happens to be the Minister of Foreign Affairs for the land of enlightenment: France. With ... See full summary »


Bertrand Tavernier
3 wins & 10 nominations. See more awards »





Cast overview, first billed only:
Thierry Lhermitte ... Alexandre Taillard de Worms
Raphaël Personnaz ... Arthur Vlaminck
Niels Arestrup ... Claude Maupas
Bruno Raffaelli Bruno Raffaelli ... Stéphane Cahut
Julie Gayet ... Valérie Dumontheil
Anaïs Demoustier ... Marina
Thomas Chabrol ... Sylvain Marquet
Thierry Frémont ... Guillaume Van Effentem
Alix Poisson Alix Poisson ... Odile
Marie Bunel ... Martine
Jean-Marc Roulot Jean-Marc Roulot ... Bertrand Castela
Sonia Rolland ... Nathalie
Didier Bezace Didier Bezace ... Jean-Paul François
Jane Birkin ... Molly Hutchinson
Renaud Calvet Renaud Calvet ... Ambassadeur France à l'ONU


Alexandre Taillard de Vorms is tall and impressive, a man with style, attractive to women. He also happens to be the Minister of Foreign Affairs for the land of enlightenment: France. With his silver mane and tanned, athletic body, he stalks the world stage, from the floor of the United Nations in New York to the powder keg of Oubanga. There, he calls on the powerful and invokes the mighty to bring peace, to calm the trigger-happy, and to cement his aura of Nobel Peace Prize winner-in-waiting. Alexandre Taillard de Vorms is a force to be reckoned with, waging his own war backed up by the holy trinity of diplomatic concepts: legitimacy, lucidity and efficacy. He takes on American neo-cons, corrupt Russians and money-grabbing Chinese. Perhaps the world doesn't deserve France's magnanimousness, but his art would be wasted if just restricted to home turf. Enter the young Arthur Vlaminck, graduate of the elite National School of Administration, who is hired as head of "language" at the ... Written by Sundance Selects

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Not Rated | See all certifications »

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Did You Know?


The character played by Sonia Rolland is nicknamed "Miss Angoulême". Actually, Sonia Rolland has been Miss Bourgogne in 1999, then Miss France in 2000. See more »


Alexandre Taillard de Worms: There are three principles. Responsibility. Effiiciency. Unity.
See more »

Crazy Credits

After Bernard Tavernier's thanks, the following appears ".. et tient à préciser que les propos d'Héraclite n'engagent que leur auteur", which roughly translates to "and wishes to clarify that the statements of Heraclitus are those of the author". See more »


Symphonie No 9 - Chorale: L'hymne a la joie; 4eme mvt
Written by Ludwig van Beethoven
Performed by KPM Symphony Orchestra
Published by KPM Music - K Musik
See more »

User Reviews

A whimsical political satire, which never loses sight of its realist tendencies.
12 March 2014 | by jsy3-404-835783See all my reviews

Taking a break from the world of drama, and coming fresh off a 16th century period piece, Bertrand Tavernier tests his hand in the world of comedy. "The French Minister", adapted from the comic book "Quai d'Orsay", is a whimsical political satire, which never loses sight of its realist tendencies. A transparent parody of the US-Iraq conflict, substituting Iraq for the fictional country of Lousdemistan, "The French Minister" depicts the life of Arthur Vlaminck, the freshly hired speech writer for the French minister Alexandre Taillard de Worms. Throughout the film Arthur is consistently hurled through a sea of endless rewrites and bureaucratic minutia, all the while, balancing the verbose personalities of the diplomats with whom he is forced to work with.

The film is an absolute pleasurable viewing experience that places the viewer in rapid succession of loosely connected vignettes. Lacking the typical story structure, the film rather invites the viewer into the world of diplomacy and bureaucracy, in a fashion that seems more circular than linear. One of Tavernier's strengths throughout the film is his ability to match the spaces in which the characters reside to the signification of their position in the bureaucratic machine. The circular nature of the narrative, and the spatial and temporal order Tavernier utilizes, comments of the ineffective, even comic, nature of bureaucracy.

Contradiction and repetition form the basis for the film's humor, as Arthur is continually shuffled from room to room; failing to be able to distinguish advice from deception. Despite the clear notion that Arthur represents the film's main character, he remains vacant for large sequences. Further, in many of the scenes where Arthur and Alexendre appear together, Arthur's presence is completely dominated by the aura of Alexandre, allowing the viewer to disregard Arthur altogether. Similar to style of the great French filmmaker Jean Renoir, the film's absence of a strong central figure allows for the stronger analysis of a series of characters, each representing a larger part of society. In this manner, the audience is not forced into the psychology of any one character, but allowed to view all of the characters from a distanced space.

Thierry Lhermitte's portrayal of Alexandre, paired with Tavernier's visual treatment, fashions a dynamic and dominating character. His narcissistic and pretentious attributes are equally matched by charisma and charm. Lhermitte's performance performs a similar overwhelming task on the audience, as his character does on Arthur. Likewise, through Tavernier's added elements of comic heightening, while farcical, remain grounded at all times in realism. Depicted as moving with such intensity that his entrances consistently cause stacks of paper to explode into a whirlwind of chaos, obsessing over highlighters to a point of absolute comic absurdity, and neurotically referring to his texts, Llhermitte's character is rife with humor.

As a testament to the writing, the film requires no deep knowledge of the political workings of government, nor does it fail to seem applicable to US notions of government. Despite its intimate relation to French culture and politics, the film's comedy is universal. Requiring from the viewer only their attention span, "The French Minister" performs the rest of the work. Travernier's film is a humorous and imaginative romp just waiting to be discovered.

Originally published via StageBuddy by Joe Yanick

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Release Date:

6 November 2013 (France) See more »

Also Known As:

The French Minister See more »


Box Office

Opening Weekend USA:

$3,800, 23 March 2014

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.85 : 1
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