Year 1977, a September morning in Ankara... Yilmaz tries to rush his pregnant wife Neriman to the hospital and he crushes into Omer's car. This accident causes Omer's pregnant wife Inci, ... See full summary »
Ömer Faruk Sorak
An old pop singer who has Alzheimer's returns to her old house where she remembers her old days of climbing the stairs of fame and fortune while trying to deal with her older sister who holds her responsible for her ruined life.
Farah Zeynep Abdullah,
A beautiful girl who has everything. Charming, playful, in her own words: 'too joyful to fall in love.' A sudden car crash, and her heart stops for a few minutes. When she wakes up, ... See full summary »
Farah Zeynep Abdullah,
Promising a visual feast of colors, costumes, light and locations, SOUR APPLES will have you simultaneously laughing and crying with its powerful acting performances as well as Yilmaz Erdogan's witty and memorable dialogues.
The film is about the introduction of television to a small village in southeast Anatolia in 1974. Employing a tragicomic language, it tells of the efforts of Emin who is the village idiot ... See full summary »
Vizontele Tuuba is the sequel to Vizontele and recounts the 1980 military coup, the repercussions of the coup in a small southeastern town in Turkey. This is a very confusing period: every ... See full summary »
On a night of despair after being turned down continuously for the scripts he writes, Metin ends up in a bar where he meets a girl named Duygu. After spending the night together, she walks ... See full summary »
Riza Senyurt is the world's most troubled Santa Claus at Christmas time. For one thing, he doesn't know who Santa Claus is. Whether fake or real however, he is Santa Claus now. Bearing the ... See full summary »
Kaan and Mete, co-hosts of a mid 1990s radio show called Kaybedenler Kulübü (Losers' Club), struggle to deal with their daily lives after their show becomes an instant hit. Kaan meets ... See full summary »
Onur, who has been deaf since birth, works as a librarian. His father had left him and his mother when he was seven, and Onur has always blamed himself for this. Although being able to ... See full summary »
Last days of 1941 summer, the era of Obligation, during the famine atmosphere of the Second World War. In the middle of all this poverty and turmoil, there are two poets in their early twenties: Muzaffer Tayyip Uslu and Rustu Onur. They have been carrying tuberculosis germs in their lungs and love of poetry in their hearts for years. Two poets who have the constant habit of making bets on things that they do not own, make a bet on a beautiful girl. They will both write a poem for her and whichever Suzan likes, the other will fade from the scene..Written by
Official submission of Turkey to the Oscars 2014 best foreign language film category. See more »
When they travel to Istanbul with a ship, a radio newscast announces that the Japanese have attacked Pearl Harbor. Pearl Harbor attack was on December 7, 1941, which was winter time in Turkey. Back in the 40's, winters were very strong and they can't be traveling on the deck of the ship without coats or any kind of winter wear as depicted in the movie. See more »
This is a film for only today's Turkish viewer, but could've been a good movie of international scale should it have been made in better hands. Before the seventies, the Turkish film industry was truly international; it was far better than today and had amazingly-talented directors, high-quality actors and actresses, very good writers and expert producers. In the fifties and sixties in particular, it was at its best. "Susuz Yaz", "Aci Hayat", "Kirik Canaklar" and "Duvarlarin Otesi" are just a few to mention from that golden era. And of course the eminent Yilmaz Guney's "Umut" and "Sürü" of the seventies after which the Turkish film industry's universal quality and golden reputation has been being deteriorated rapidly keeping the Oscar possibilities only in dreams.. Today the basic motive in the Turkish film industry is simply money, with a typical Turkish mentality:"Make a quick movie, make'm laugh or cry, and catch quick bucks". They do not give enough time, skills, expertise and dedication to their work today. Again, it's work for money, not for art; all commercial mind. Today, there are only a few good actors and directors in Turkey. And there are no producers that know or do the business well. Only the emerging well- educated, serious, knowledgeable and skilled new generation can bring the Turkish Film back to the level it desperately needs and rightfully deserves.
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