4.9/10
109
1 user 8 critic

Obsessive Rhythms (2013)

Cadences obstinées (original title)
Margo gave up her career for the sake of her husband and now feels aggrieved and abandoned.

Director:

Fanny Ardant

Writer:

Fanny Ardant (screenplay)
Reviews
4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Asia Argento ... Margo
Nuno Lopes ... Furio
Franco Nero ... Carmine
Tudor Istodor ... Gabriel (as Tudor Aaron Istodor)
Ricardo Pereira ... Mattia
Johan Leysen ... Wladimir
Gérard Depardieu ... Père Villedieu
Mika ... Lucio, le pianiste
Laura Soveral ... Mère Carmine
André Gomes André Gomes ... Commanditaire
Marcello Urgeghe Marcello Urgeghe ... L'agent de Margo
Philippe Leroux Philippe Leroux ... L'inspecteur
Stéphane Changeas Stéphane Changeas ... Le chef
Renato Ribeiro Renato Ribeiro ... Le fournisseur
Edmundo Rosa Edmundo Rosa ... L'homme du hangar (as Edmundo da Rosa Oliveira)
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Storyline

Margo gave up her career for the sake of her husband and now feels aggrieved and abandoned.

Plot Summary | Add Synopsis

Genres:

Romance

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Details

Country:

France | Portugal

Language:

French | Italian

Release Date:

8 January 2014 (France) See more »

Also Known As:

Cadências Obstinadas See more »

Filming Locations:

Lisbon, Portugal See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »

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User Reviews

 
What a waste of talent
28 October 2014 | by Cristiano-ASee all my reviews

What a pity that Asia Argento and Franco Nero had squandered his talent in this incomprehensible and boring movie. From the middle of it, we only want to end that anguish and stop the martyrdom of the viewer. As Luis Miguel Oliveira said, a movie where everyone anguishes much without the film give substance to that anxieties, obsessions and passions. A failure without remission. A movie that, I think, want to wager more in form rather than content, but the director does not have nails to play that guitar. An unsuccessful attempt of Fanny Ardant to enter the auteur cinema, putting aesthetics far ahead of the story. But that is not enough to accomplish the task.


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