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Racer and the Jailbird (2017)

Le Fidèle (original title)
R | | Crime, Drama | 4 May 2018 (USA)
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1:43 | Trailer
Set against the background of a brutal crime gang in Brussels, a tragic love story between Gigi (Matthias Schoenaerts), a high-flying gangster, and Bibi (Adèle Exarchopoulos), a young racing driver with very upper-class roots.

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1 nomination. See more awards »

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Cast

Credited cast:
... Gigi Vanoirbeek
... Bibi Delhany
Eric De Staercke ... Freddy Delhany
... Serge Flamand
Nabil Missoumi ... Younes Bouhkris
Thomas Coumans ... Bernard 'Nardo' Delhany
... Sandra
Fabien Magry ... Eric Lejeune
Sam Louwyck ... Prison manager
... Bank manager
... Bezne
Rest of cast listed alphabetically:
Aïcha Cissé ... Female police officer 2
... Police Officer 1
Gianni La Rocca ... Mike
Corentin Lobet
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Storyline

When Gino meets racing driver Bénédicte, it's love at first sight. Passionate. Unconditional. Fiery. But Gino hides has a secret. The kind of secret that can endanger your life and the lives of those ones around you. Gino and Bénédicte will have to fight against fate, reason and their own weaknesses to save their love. Written by Polly_Kat

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for some strong sexuality, nudity, violence, and for language | See all certifications »
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Details

Country:

| |

Language:

|

Release Date:

4 May 2018 (USA)  »

Also Known As:

Racer and the Jailbird  »

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Box Office

Budget:

€8,000,000 (estimated)

Opening Weekend USA:

$2,513, 6 May 2018, Limited Release

Gross USA:

$46,337, 17 May 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

This is the first Belgian film for both Matthias Schoenaerts and Michaël R. Roskam since Rundskop (2011). See more »

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User Reviews

 
Cliché overload
21 November 2017 | by See all my reviews

I paid 1 euro to see this film. Still too much money.

The first third of the movie is promising. There are impressive scenes and stunts. A twist I didn't see coming in the shape of a character who was not at all what she seemed. It's (mostly) engaging as it works towards a climax. After that, the story is as stagnant as the lives of the main characters.

Where at first I was waiting for the female lead to come to her senses, as the movie progresses it becomes clear neither of the lead characters have any sense. They are two-dimensional and boring. Cliché is heaped upon cliché to propel the story forward. Except it doesn't, it just turns the movie into a weird mix of crime- and melodrama with a whiff of kitchen sink realism.

It seems like the filmmaker wanted to tell a story of obsessional love. But since there is no substance to the relationship of the couple the entire movie revolves around, there is no substance to the film. Every sex scene (supposedly to show their passion for each other) consists of Schoenaerts mechanically drilling his much younger co-star. They have nothing to talk about and the sex only gets him off. How is that any motivation for the girl to turn herself into a self-sacrificing saint? How is that guy worth her or my time? (And did the women's lib movement skip Belgium?)

Another theme in the movie is the tragic, abusive background of Schoenaerts' character. How he himself can't explain his own actions. It all reeks of literary movements like determinism and naturalism. As if he can't help it, it's his background that turned him into a criminal. It could have been excellent material to flesh out a character. Instead it just leads to Schoenaerts making the same face over and over again. If you're going to make a movie about dynamic characters robbing banks and racing cars maybe next time don't mix it with a tale of pre-determined fate that has people stuck like a hamster in a wheel. One pretty much cancels out the other.

The movie looks much better than most movies that come out of the Netherlands (good for you, Belgium). There were definitely people involved who knew what they were doing in terms of the look of the movie, the action sequences, the locations, the way the camera is handled. But ultimately this is a crap story that wastes the talent of its cast and crew.


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