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Racer and the Jailbird (2017)

Le Fidèle (original title)
R | | Crime, Drama | 4 May 2018 (USA)
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Set against the background of a brutal crime gang in Brussels, a tragic love story between Gigi, a high-flying gangster, and Bibi, a young racing driver with very upper-class roots.

Director:

Michaël R. Roskam
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4,088 ( 289)
4 nominations. See more awards »

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Cast

Credited cast:
Matthias Schoenaerts ... Gigi Vanoirbeek
Adèle Exarchopoulos ... Bibi Delhany
Eric De Staercke Eric De Staercke ... Freddy Delhany
Jean-Benoît Ugeux ... Serge Flamand
Nabil Missoumi Nabil Missoumi ... Younes Bouhkris
Thomas Coumans Thomas Coumans ... Bernard 'Nardo' Delhany
Nathalie Van Tongelen ... Sandra
Fabien Magry Fabien Magry ... Eric Lejeune
Sam Louwyck Sam Louwyck ... Prison manager
Stefaan Degand ... Bank manager
Kerem Can ... Bezne
Serge Riaboukine Serge Riaboukine ... Monsieur Assa
Rest of cast listed alphabetically:
Aïcha Cissé Aïcha Cissé ... Female police officer 2
Vincenzo De Jonghe ... Police Officer 1
Gianni La Rocca Gianni La Rocca ... Mike
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Storyline

When Gino meets racing driver Bénédicte, it's love at first sight. Passionate. Unconditional. Fiery. But Gino hides has a secret. The kind of secret that can endanger your life and the lives of those ones around you. Gino and Bénédicte will have to fight against fate, reason and their own weaknesses to save their love. Written by Polly_Kat

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for some strong sexuality, nudity, violence, and for language | See all certifications »
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Details

Country:

Belgium | France | Netherlands

Language:

French | Dutch

Release Date:

4 May 2018 (USA) See more »

Also Known As:

Racer and the Jailbird See more »

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Box Office

Budget:

€8,000,000 (estimated)

Opening Weekend USA:

$2,513, 6 May 2018, Limited Release

Gross USA:

$46,337, 17 May 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

This is Michaël R. Roskam and cinematographer Nicolas Karakatsanis' fourth collaboration. The previous were: The One Thing to Do (2005), Rundskop (2011) and The Drop (2014). Karakatsanis was also the DP of other three films with Matthias Schoenaerts: Linkeroever (2008), The Loft (2014) and Franky. See more »

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User Reviews

 
Crime, love and punishment
18 October 2017 | by Ruben MooijmanSee all my reviews

Gigi and Bibi. It sounds like two cartoon characters, but in fact they are the nicknames of Gino and Bénédicte, the two leads in Michael R. Roskam's new movie 'Le Fidèle'.

Already in the first five minutes of the film, Gigi and Bibi fall in love. This love affair is the main theme of the film. It's not an easy affair, since Bibi is the daughter of a wealthy business man, who supports her race car driving career, while Gigi doesn't have any relatives and earns a living by robbing banks and cash transit vans.

At first, Gigi hides his real occupation and pretends to be a car salesman. When he no longer can hide the truth, he is quick to point out that they both have a lot in common, in spite of their different backgrounds. He likes the risk-taking and the danger that comes with his job, exactly as she does with hers.

For Belgian moviegoers, the film has an extra appeal. Roskam has based his story on the lives of a well-known gang of criminals, who were household names in the 1990's. They captured the attention of the media and the public at large, because they combined extremely audacious and violent robberies with a glamorous lifestyle.

Roskam shows in this movie how such brutal criminals could at the same time be loving husbands and friends. Gigi loves Bibi, and he is extremely loyal to his criminal friends, but he has no respect for the feelings of his victims. Matthias Schoenaerts plays this complex character very convincingly, and Adèle Exarchopoulos is quite effective as the slightly naive girl whose love for Gigi is unconditional.

The last part of the film is different from the rest. The love affair, having been firmly established, is no longer the central theme. Instead, we see a quick succession of increasingly dramatic events, which sometimes feels a bit exaggerated. But the beautiful end scene compensates for this. This long take is technically simple, but very clever and creative from a cinematographic point of view. And the very last shot even more so. It's these kinds of scenes that show how original a film maker Roskam can be.


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