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Jojo Rabbit (2019)

PG-13 | | Comedy, Drama, War | 8 November 2019 (USA)
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A young boy in Hitler's army finds out his mother is hiding a Jewish girl in their home.

Director:

Taika Waititi

Writers:

Taika Waititi (screenplay), Christine Leunens (novel)
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Popularity
50 ( 14)

Taika Waititi Directed 'Jojo Rabbit' in Costume as Hitler

Director Taika Waititi goes into detail about directing some Jojo Rabbit scenes while in his full Adolf Hitler costume and make-up.

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Nominated for 2 Golden Globes. Another 7 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
Roman Griffin Davis ... Jojo
Thomasin McKenzie ... Elsa
Scarlett Johansson ... Rosie
Taika Waititi ... Adolf
Sam Rockwell ... Captain Klenzendorf
Rebel Wilson ... Fraulein Rahm
Alfie Allen ... Finkel
Stephen Merchant ... Deertz
Archie Yates ... Yorki
Luke Brandon Field ... Christoph
Sam Haygarth ... Hans
Stanislav Callas ... Russian Soldier
Joe Weintraub ... Herr Junker (as Joseph Weintraub)
Brian Caspe ... Herr Mueller
Gabriel Andrews Gabriel Andrews ... Herr Klum
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Storyline

A World War II satire that follows a lonely German boy named Jojo (Roman Griffin Davis) whose world view is turned upside down when he discovers his single mother (Scarlett Johansson) is hiding a young Jewish girl (Thomasin McKenzie) in their attic. Aided only by his idiotic imaginary friend, Adolf Hitler (Taika Waititi), Jojo must confront his blind nationalism. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | War

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic content, some disturbing images, violence, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Filmnegah [Iran] | Official site | See more »

Language:

English | German

Release Date:

8 November 2019 (USA) See more »

Also Known As:

Jojo Rabbit See more »

Filming Locations:

Prague, Czech Republic See more »

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Box Office

Opening Weekend USA:

$349,555, 20 October 2019

Gross USA:

$19,463,089

Cumulative Worldwide Gross:

$22,251,387
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In Thor: Ragnarok (2017), Taika Waititi's character, Korg, is imprisoned for attempting to start a revolution against a despotic leader. In this film, Waititi *is* the despotic leader people are revolting against. See more »

Goofs

Captain Klenzendorf asks Elsa when her borrowed passport photo was taken, she says "3 years ago, when I was 14." Asked next to provide her date of birth, she says "May 1st, 1929". This wartime scene is apparently occurring after May 2, 1946. However, moments later when the Gestapo is gone, Elsa reveals that she accidentally said the wrong birthday. Giving the wrong date of birth to the Nazi interrogators was intentionally done by the writers as a plot device. See more »

Quotes

[Rosie and Jojo come upon six people hanging from a gallows in the town square]
Jojo Betzler: What did they do?
Rosie: They did what they could.
See more »

Connections

Featured in Cinematic Excrement: Shining Through (2019) See more »

Soundtracks

People Like You and Me
Words by Mack Gordon
Music by Harry Warren
Performed by Glenn Miller and His Orchestra
Courtesy of Twentieth Century Fox Film Corporation
See more »

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User Reviews

 
wacky with feeling
1 November 2019 | by ferguson-6See all my reviews

Greetings again from the darkness. Welcome to the most divisive movie of the year. Some will scoff at the idea and deride the filmmaker without ever even seeing the movie. Some will relay disgust after seeing the movie. A few won't appreciate the style or structure, and will fail to find the humor. Ah yes, but some of us will embrace Taika Waititi's wacky adaptation of Christine Leunens' 2018 novel "Caging Skies" as one of the funniest and most heart-warming films of the year ... fully acknowledging that many won't see it our way.

One wouldn't be off base in asking why a successful filmmaker would tackle such a risky project: a coming-of-age comedy-drama-fantasy about a 10 year old Nazi fanatic who has as his imaginary friend, not a 6 foot rabbit, but the Fuhrer himself, Adolph Hitler. After all, writer-director Waititi is coming off a couple of brilliant indies (2014's WHAT WE DO IN THE SHADOWS, and 2016's HUNT FOR THE WILDERPEOPLE) and a major score with Marvel money on THOR: RAGNAROK (2017), arguably the most entertaining superhero movie of the past few years. He certainly could have continued to cash in with 'safer' choices; however, Mr. Waititi sees the world differently than most of us. He finds humor in the drudgery, and humanity in malevolence. He's also a bit goofy.

Playing over the opening credits is the German version of "I Want to Hold Your Hand", as we see old clips of German citizens cheering for Adolph Hitler in a similar manner to how fans used to scream for The Beatles. World War II is nearing the end as we meet 10 year old Jojo Betzler (newcomer Roman Griffin Davis). Jojo is fervent in his fanaticism towards the Nazi way, and buys into the belief that Jews are monsters with horns on their head. He's such a believer that his imaginary friend is actually Hitler, well at least a bumbling boisterous version played by the filmmaker himself - enacted to extreme comedy effect (recalling a bit of Chaplin in THE GREAT DICTATOR). Mel Brooks managed to play Hitler to a laughable extreme in "Springtime for Hitler" in THE PRODUCERS, but the only thing missing her from Waititi's costume is an old timey dunce cap.

Jojo lives at home with his mother Rosie (Scarlett Johansson), while dad is off fighting on the front line. Ms. Johansson's performance is terrific (despite limited screen time) as she creates a believably warm bond with her son during horrific times. Soon, Jojo is off to a Nazi camp designed to teach the boys how to fight (and burn books), as the girls learn the virtues of having babies. The camp leaders are Captain Klenzendorf (Sam Rockwell), who is a bit of a joke on the surface, but more interesting the deeper we dig; Fraulein Rahm (Rebel Wilson) who boasts of having 18 Aryan babies; and Finkel (Alfie Allen) a violent psychopath. At camp with Jojo is his best friend Yorki (newcomer and scene-stealer Archie Yates), and the two show what a genuine friendship can be as the movie progresses.

Things change quickly for Jojo when, by happenstance, he discovers a Jewish girl living in the walls of his home. Elsa (Thomasin McKenzie, LEAVE NO TRACE) shows none of the characteristics that Jojo has been brainwashed into believing all Jews possess. She has no horns, flashes a good sense of humor, and is actually very nice and knowledgeable. In other words, she's no monster. As they get to know each other, Jojo realizes this "nice" Jewish girl contrasts starkly with his lunatic hero Adolph.

Waititi's film is ingenious satire, and it likely won't sit well with those who think not enough time has passed to justify making fun of Nazi atrocities. It's funny and heavy, and deals with some thought-provoking matter in an unusual way. The "Heil Hitler" count approaches the 'F-word' frequency of most Tarantino movies, and there is a German Shepherd gag that caught the audience off-guard. Stephen Merchant's Gestapo search of Jojo's house is comedy at its weirdest. The movie messes with your head as it's some odd blend of SCHINDLER'S LIST, "The Diary of Anne Frank", and an extended Monty Python skit.

It's rare for a film that borders on slapstick at times to have so many touching and emotional moments. The actors are really strong here, especially Ms. Johansson and Ms. McKenzie, who as gutsy Elsa, proves again she is quickly becoming a powerhouse young actor. Roman Griffin Davis carries a significant weight in the story despite being a first time actor, and I can't emphasize enough how young Archie Yates will steal your heart while he's stealing his scenes. Michael Giacchino's score and Mihai Malaimaire Jr's terrific cinematography work well with Waititi's vision ... a satirical vision that would never work outside of his unique filmmaking talent. The story is basically proof of the adage, 'Kill 'em with kindness', when what we are really killing is hatred. At its core, this is a story of humanity and human nature, and how we grab hold of the wrong thing until the truth becomes evident. Now, please pass the unicorn.


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