Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.
The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
A young and talented drummer attending a prestigious music academy finds himself under the wing of the most respected professor at the school; one who does not hold back on abuse towards his students. The two form an odd relationship as the student wants to achieve greatness, and the professor pushes him.Written by
For the slapping scene, J.K. Simmons and Miles Teller filmed several takes with Simmons only miming the slap. For the final take, Simmons and Teller decided to film the scene with a real, genuine slap. This is the take that is in the film. See more »
When Andrew and Fletcher meet for the first time while he is doing doubles Andrew looks up to see that Fletcher left and there is no jacket on the hook. When Fletcher walks back in and says, "Oops I forgot my jacket," the coat has reappeared on the hook. See more »
What the fuck are you looking for? There's no pot of gold down there.
[Ryan starts adjusting the seat]
Really? Adjusting the seat, really? That's been your problem the whole fucking time, the seat height? So now you have it, right? Go!
[Ryan starts playing]
BULLSHIT! FUCK YOU!
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Whiplash is low budget film making at its finest, and surely promises big things from rookie director/writer Damien Chazelle. Seeing this film in theaters was the first time this year that I have completely enraptured (granted, I have not seen all of the top films that have come out so far). Also, I am a succor for quality films about musicians, and Whiplash ranks in my all time favorites in that genre. The tension did not let up from the very first scene, especially as soon as the incredible J.K. Simmons enters. Simmons, along with Miles Teller (who's Project X days are now long behind him) have some of the best on screen chemistry I've seen. They're connected; one cannot act without it affecting the other. The film is almost entirely focused on this relationship, and the simplicity definitely services the film. I hope people will go and see it and vote with their pocketbooks for excellent low budget films.
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