7.2/10
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26 user 76 critic

Lilting (2014)

Not Rated | | Drama, Romance | 8 August 2014 (UK)
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A young man of Chinese-Cambodian descent dies, leaving behind his isolated mother and his 4-year male lover, who grieve but don't speak a lick of each other's language.

Director:

Hong Khaou

Writer:

Hong Khaou
Nominated for 1 BAFTA Film Award. Another 4 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
Ben Whishaw ... Richard
Pei-Pei Cheng ... Junn (as Cheng Pei Pei)
Andrew Leung Andrew Leung ... Kai
Morven Christie ... Margaret
Naomi Christie ... Vann
Peter Bowles ... Alan
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Storyline

In contemporary London, a Cambodian-Chinese mother mourns the untimely death of her son. Her world is further disrupted by the presence of a stranger. We observe their difficulties in trying to connect with each other without a common language as, through a translator, they begin to piece together memories of a man they both loved. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

UK

Language:

English | Mandarin

Release Date:

8 August 2014 (UK) See more »

Also Known As:

Dallam See more »

Filming Locations:

England, UK

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Box Office

Opening Weekend USA:

$1,567, 28 September 2014, Limited Release

Gross USA:

$21,068, 17 October 2014
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Filmed in 3 weeks. See more »

Quotes

Junn: Through plenty of crying, I've learnt to be content that I won't always be happy, secure in my loneliness, hopeful that I will be able to cope. Every year on Christmas Day I get very lonely. An incredible feeling of solitude. On this day, everything has stood still, even the trees have stopped rustling, but I'm still moving, I want to move, but I have nothing to move to, and nowhere to go. The scars beneath my skin suddenly surface and I get scared. Scared of being alone.
See more »

Connections

Featured in The EE British Academy Film Awards (2015) See more »

Soundtracks

Don't Blame Me
Composed by Dorothy Fields and Jimmy McHugh
Performed by Timi Yuro
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User Reviews

 
Depressing, yet moving and uplifting
24 September 2014 | by punishable-by-deathSee all my reviews

This is the debut feature film for Hong Khaou, and being of Cambodian descent, I imagine this movie may be semi-autobiographical, though that is obviously pure speculation. This interesting little film (running on an insanely low budget of 12,000 pounds if I am not mistaken) is about a Chinese-Cambodian elderly woman, Junn (veteran actress Pei-Pei Chang), who has just lost her son Kai, not long after he put her into a home. He was gay, but could never bring himself to tell his mother. This was the reason she ended up in the home and not living with him and his boyfriend Richard (Ben Whishaw).

When Richard enters the fold initially he seems like a stranger, at least as far as Junn is concerned, and to make it harder, he can't communicate with Junn as she can speak 8 different dialects, but refuses to learn English despite living in the UK. Despite their differences, despite the overwhelming obstacles to hurdle, Richard is not intending on giving up trying to talk to his partner's mother. They share the same pain, but Junn has no idea of this. Since Junn doesn't know about the same-sex relationship her son was having, Richard's job becomes at least twice as tough, as he has to act as Kai's 'best friend', trying to connect with Junn that they both are sharing the same misery, the same loneliness and sense of loss after losing a loved one.

Along the way Junn meets a gentleman who is also a resident at the home. Playing an amusingly dry old codger, Peter Bowles as Alan is smitten by Junn, yet they have no way of truly communicating. Richard rectifies this by hiring a translator, which helps both Alan and Richard as it opens up a dialog between the different parties, for better or worse. Richard continues to go to endless lengths to try and communicate and help Junn overcome her son's death, as unwilling as she seems, as well as trying to help negotiate the problems Junn and Alan are having; it seems the possibility of a relationship with Alan may be slim. And so the story goes, moving from this premise into emotional territory where each character's decision is not easy, and someone as stubborn as Junn makes life difficult for Richard and the translator he has to help smooth the process… Which doesn't go as smoothly as planned.

This film is extremely depressing at points and heartwarming at others. It is nice to see a film with a real heart without dipping into overly sentimental trite. The true unforgettable message that this film gave me was how it illustrated how culture can truly alienate us; from loved ones, from people who want to help. But at the same time, it highlights elements of the human condition that transcend culture, such as family, or music. I didn't think I'd enjoy this as much as I did, it isn't my type of film really. But I really liked it. Probably also because I have seen how truly heart-breaking it is to make that decision to put a parent/grandparent in a home really is. It ain't pretty.

8/10 - If you aren't looking for action, and are interested in watching a more thought-provoking movie that really will pull at your emotions, check this one out. The absurdly low budget is not noticeable at all, especially given the quality of the production, from the perfect sequence of scenes, to the subtle but interesting photography work and the minimal but effective soundtrack.

This isn't a film that I will revisit immediately, unlike many others than have been released this year. But I know that a time will come where I suddenly will have to put this on. It is a powerful, emotional film that subtly comments on the differences of cultures and/or language, the stigma that is still attached to same-sex couples, especially among older, more 'traditional' people, but most importantly, a few key scenes show us that differences in culture, in language, in beliefs, can be transcended, and no matter what the barriers between communication may be, humanity can prevail.

It is not impossible to share true, meaningful moments with someone who cannot speak a word of your language. This film excels at showing this, linking us all as human, no matter our colour, our culture or our beliefs.


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