6.1/10
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485 user 296 critic

A Million Ways to Die in the West (2014)

R | | Comedy, Western | 30 May 2014 (USA)
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As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his newly found courage to the test when her husband, a notorious gun-slinger, announces his arrival.

Director:

Seth MacFarlane
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Popularity
2,540 ( 457)
6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Seth MacFarlane ... Albert
Charlize Theron ... Anna
Amanda Seyfried ... Louise
Liam Neeson ... Clinch
Giovanni Ribisi ... Edward
Neil Patrick Harris ... Foy
Sarah Silverman ... Ruth
Christopher Hagen ... George Stark
Wes Studi ... Cochise
Matt Clark ... Old Prospector
Evan Jones ... Lewis
Aaron McPherson ... Ben
Rex Linn ... Sheriff / Narrator
Brett Rickaby ... Charlie Blanche
Alex Borstein ... Millie
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Storyline

Set in 1882 in the American west, Albert is a lowly farmer with a nice girlfriend. But when she leaves him for the more successful and handsome owner of a moustachery store, Albert returns to his lonely daily life of trying to avoid death. Then the mysterious Anna rides into town and captures Albert's interest and heart, but with her deadly husband in town, Albert is going to have to become the western gun-slinging hero he never was. It won't be easy because there are a million ways to die in the west. Written by Anne Campbell

Plot Summary | Plot Synopsis

Taglines:

Bring protection See more »

Genres:

Comedy | Western

Motion Picture Rating (MPAA)

Rated R for strong crude and sexual content, language throughout, some violence and drug material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Navajo | Mandarin

Release Date:

30 May 2014 (USA) See more »

Also Known As:

Pueblo chico, pistola grande See more »

Filming Locations:

Monument Valley, Utah, USA See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$17,069,000, 1 June 2014, Wide Release

Gross USA:

$43,139,300

Cumulative Worldwide Gross:

$86,408,083
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Unrated)

Sound Mix:

SDDS | Datasat | Dolby Digital

Color:

Color (ACES)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

The shot of Clinch leaving the front door of Albert's house to search for him outside is an homage of the iconic open door scene in the beginning and end scenes of The Searchers (1956). See more »

Goofs

When Edward goes to visit Albert after he is injured he states that he hasn't seen Albert in town for a week and a half. The cut Albert had on his right forehead would have still been visible as at least a scar but the area is perfectly smooth. See more »

Quotes

[first lines]
Narrator: Some people are born into the wrong time and place. This was the American frontier in 1882, a hard land for hard folk. Food was scarce, disease was rampant, and life was a daily struggle for survival. Hell, this was Miss America in 1880.
[picture of a leathery middle-aged woman]
Narrator: Holy shit. To build a home and a life in this harsh, unforgiving country required that a man be bold, fearless, and tough as iron. The men who were courageous and resilient were the men who prospered. But ...
[...]
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Crazy Credits

There is a post-credits sequence involving the gunman at the fair from the final scene. See more »


Soundtracks

Tarzan Boy
Written by Maurizio Bassi and Naimy Hackett
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Frequently Asked Questions

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User Reviews

 
Silence and Tumbleweeds not included
10 June 2014 | by bob-the-movie-manSee all my reviews

Comedy westerns have a strong legacy through classics like Mel Brooks' "Blazing Saddles", "Support your Local Sheriff/Gunfighter" (with James Garner), "Paleface" and "Son of Paleface" (with Bob Hope and Jane Russell) all the way back to the brilliant "Destry Rides Again" (with James Stewart and Marlene Dietrich). Unfortunately for each of these classics there's the odd "Wild Wild West" to restore movie western Karma, and Seth Macfarlane's follow on to "Ted" – "A Million Ways to Die in the West" – is on that other side of the scales.

Macfarlane aside (who really isn't funny enough to take the leading role of the sheep farmer Albert) the rest of the cast is bordering on stellar featuring Liam Neeson, Sarah Silverman, Amanda Seyfried and the gorgeous Charlize Theron. And they work very hard at it: Theron occasionally laughs like a hyena (to cover the fact that normally we are not) and Neeson plays the straight man villain very straight indeed.

So let's accentuate the positive for a moment. The photography of the Utah locations is gorgeous. Joel McNeely's western score is sumptuous (gotta love a western soundtrack) and the songs (including the moustache song and the title song) are both catchy and suitably ridiculous.

And there are moments in this film that are genuinely funny: Sarah Silverman's Christian hooker with a heart who is "saving herself" for her husband-to-be, played by the excellent Giovanni Ribisi (Frank Buffay Jnr in "Friends"), while servicing 10 of the locals ("on a slow day"); shooting practice with plates and a doctor's blue woodpecker for the aftermath; the Navajo translation for "fine" being "Mila Kunis" and – most surreal of all – Albert's drugged up trip with moustache wearing dancing sheep.

There are also some amusing cameos, particularly one in a barn (don't watch some of the trailers that cheaply give it away).

But the bits that did make me really laugh were few and far between. A lot of the jokes fall face first into the dry Utah dust with the humour similar to Albert's aim: scattergun. The script stoops to swearing at every opportunity (because that's always funny isn't it?) and whilst toilet humour can work in moderation you need to know when to stop and when to leave something to the imagination. I'd like to suggest that this was a self-written, self-directed over-indulgent piece by Macfarlane, given carte blanche to indulge, and over-indulge, by studio execs after the runaway success of "Ted" – - but he did have co-writers who could and should have balanced his content more (Alec Sulkin and Wellesley Wild – I haven't actually checked that these don't make an anagram of Seth Macfarlane).

Comedy movies need to have good material across the whole running time, which means the films need to be tautened until the material 'twangs' along its whole length. This was not one of those films.

(If you enjoyed this review, please check out my other reviews on bobmann447.wordpress.com, and sign up to "Follow the Fad". Thanks!).


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