Jake Pentecost, son of Stacker Pentecost, reunites with Mako Mori to lead a new generation of Jaeger pilots, including rival Lambert and 15-year-old hacker Amara, against a new Kaiju threat.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A deadly threat from Earth's history reappears and a hunt for a lost artifact takes place between Autobots and Decepticons, while Optimus Prime encounters his creator in space.
Director:
Michael Bay
Stars:
Mark Wahlberg,
Anthony Hopkins,
Josh Duhamel
After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.
Director:
Jordan Vogt-Roberts
Stars:
Tom Hiddleston,
Samuel L. Jackson,
Brie Larson
Lara Croft (Alicia Vikander), the fiercely independent daughter of a missing adventurer, must push herself beyond her limits when she discovers the island where her father, Lord Richard Croft (Dominic West) disappeared.
When the island's dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.
Director:
J.A. Bayona
Stars:
Chris Pratt,
Bryce Dallas Howard,
Rafe Spall
The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.
Director:
Michael Dougherty
Stars:
Kyle Chandler,
Vera Farmiga,
Millie Bobby Brown
On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small California beach town. On the cusp of turning 18 and trying to find her place in the world, Charlie Watson discovers Bumblebee, battle-scarred and broken.
Director:
Travis Knight
Stars:
Hailee Steinfeld,
Jorge Lendeborg Jr.,
John Cena
When the creator of a virtual reality called the OASIS dies, he makes a posthumous challenge to all OASIS users to find his Easter Egg, which will give the finder his fortune and control of his world.
It is 2035, ten years after the Battle of the Breach, in which the inter-dimensional portal created by the Precursors (through which they sent marauding Kaiju) was closed. Former Jaeger pilot Jake Pentecost - son of Battle of the Breach hero Stacker Pentecost - makes a living by stealing and selling Jaeger parts on the black market in the Los Angeles area. After he tracks part of a disabled Jaeger's power core to the secret workshop of fifteen year-old Jaeger enthusiast Amara Namani, both are arrested by the Pan-Pacific Defense Corps (PPDC) after an altercation between Amara's small, single-pilot Jaeger Scrapper and the Police Jaeger November Ajax. A holographic transmission of Jake's adoptive sister and PPDC Secretary General Mako Mori persuades him to return to PPDC as an instructor, with Amara as his recruit..
A sequel to a movie about giant robots fighting giant monsters. What was expected? Bigger robots fighting bigger monsters. The same thing with little tweaks - as most sequels do. What we got?
A product. A film generated by an AI. I wasn't there, but I assume it went something like this. The first meeting of the creators of this movie follows.
Ok, Google, what do modern kids like?
1. Robots (Transformers)
2. Scary cool monsters
3. Robots fighting monsters
4. Robots fighting robots
5. Memes from 2009 (Trololo sing) really? + memes from 2017 (the salt).
6. Horribly executed kid rebel subplots (Divergent, The Maze Runner, The Hunger games whatever)
7. Action
8. Forced drama?
9. Bad jokes?
Ok, let's take The Independence Day Resurgence's basic plot and fail miserably at everything. Done.
In other words, there is nothing in this movie besides action scenes. The plot lives on its own, there are no characters, and even their substitutes are completely disconnected from the dead plot. Nothing they do matter, it just follows typical cliches until the end. It even gets confusing at some point, but then you see the light at the end of the tunnel. It rushes the ending knowing that by this point nobody cares.
All the dialogue is cringe-worthy. Most of the actors are just having fun knowing that there's no need to get invested into anything here. Sadly, Scott Eastwood's face is stuck in one emotion and is unable to display anything else.
CGI crews did a good job, I guess. Looks fine. There's even one creative action scene involving buildings. Other than that the action is generic, even IMAX can't make it feel better. Maybe it would've been more impressive but the overabundance of CGI city destruction in modern blockbusters seriously lowers the threshold for getting impressed by CGI.
I'd compare this to a long video game cut-scene, but modern games have more character development and creative visuals in their cut-scenes. For instance, pretty much all Blizzard cut-scenes are visual masterpieces.
Final verdict: not entertaining on the big screen and a total waste of time for home viewing.
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A sequel to a movie about giant robots fighting giant monsters. What was expected? Bigger robots fighting bigger monsters. The same thing with little tweaks - as most sequels do. What we got?
A product. A film generated by an AI. I wasn't there, but I assume it went something like this. The first meeting of the creators of this movie follows.
Ok, Google, what do modern kids like?
1. Robots (Transformers) 2. Scary cool monsters 3. Robots fighting monsters 4. Robots fighting robots 5. Memes from 2009 (Trololo sing) really? + memes from 2017 (the salt). 6. Horribly executed kid rebel subplots (Divergent, The Maze Runner, The Hunger games whatever) 7. Action 8. Forced drama? 9. Bad jokes?
Ok, let's take The Independence Day Resurgence's basic plot and fail miserably at everything. Done.
In other words, there is nothing in this movie besides action scenes. The plot lives on its own, there are no characters, and even their substitutes are completely disconnected from the dead plot. Nothing they do matter, it just follows typical cliches until the end. It even gets confusing at some point, but then you see the light at the end of the tunnel. It rushes the ending knowing that by this point nobody cares.
All the dialogue is cringe-worthy. Most of the actors are just having fun knowing that there's no need to get invested into anything here. Sadly, Scott Eastwood's face is stuck in one emotion and is unable to display anything else.
CGI crews did a good job, I guess. Looks fine. There's even one creative action scene involving buildings. Other than that the action is generic, even IMAX can't make it feel better. Maybe it would've been more impressive but the overabundance of CGI city destruction in modern blockbusters seriously lowers the threshold for getting impressed by CGI.
I'd compare this to a long video game cut-scene, but modern games have more character development and creative visuals in their cut-scenes. For instance, pretty much all Blizzard cut-scenes are visual masterpieces.
Final verdict: not entertaining on the big screen and a total waste of time for home viewing.