Tom, a war weary man takes a job as a lighthouse keeper on an island for the solitude. He meets a beautiful young woman, Isabelle and they eventually marry. One day they see a small dingy with an infant and man inside floating in the ocean. They rush to rescue them only to find the man is dead. They struggle over the decision to report it and whether to keep the baby. Heartbroken because she had already had miscarriages twice, Isabelle persuades Tom not to tell anyone about this and leave the girl to herself as if it were their child. He buries the man on the island, and the couple names the girl Lucy. He succumbs to her persuasion just to make her happy. It's only years later that they discover that the child still has a mother looking for her.Written by
Last film (to date) produced by Touchstone Pictures. See more »
Multiple date discrepancies: (1) the calendar in the kitchen in May 1921 showed May 1st as a Monday, but 5/1/21 was a Sunday; (2) the calendar in the kitchen in April 1923 showed April 1st as a Thursday, but 4/1/23 was a Sunday; (3) the calendar in lighthouse in 1923 says Monday, April 27, but 4/27/23 was a Friday; and (4) a notice on a bulletin board in 1927 says a Nativity play will be performed on Saturday, December 14th, but 12/14/27 was a Wednesday. See more »
I'm just looking to get away from things for a little while.
[sitting behind his desk]
Well, it's no paradise out on that island. Just want to make sure you know what you're in for.
All due respect, Mr. Coughlan, it's not likely to be tougher than the Western Front.
Oh, you're probably right about that. You pay your own passage to every posting. You're a relief worker so you don't get holidays. I understand you're a single man. No family. So, that's a slight concern. Wouldn't normally ...
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In Singapore, the film was edited in order to obtain a PG classification. The distributor removed an entire sex scene from the film (between Tom and Isabel, in which some sexual movements and brief breast nudity is shown). The film was later passed M18 uncut for it's video release. See more »
You better take a box of Kleenex with you to the screening of #TheLightBetweenOceans because you're going to need it, trust me. Heartbreaking pretty much encapsulates the entirety of this film which from the start aims to drive its point home on an emotional level. Based on M.L. Stedman's best-selling novel, starring Michael Fassbender, Alicia Vikander, Rachel Weisz, Bryan Brown, and Jack Thompson, adapted and directed by Derek Cianfrance, THE LIGHT BETWEEN OCEANS is essentially about a lighthouse keeper and his wife living off the coast of Western Australia and they raise a baby they rescue from an adrift rowboat. But years later, the lighthouse keeper and his wife encounter the real mother of that baby. Should they go on with their lie and keep their child or do they tell the truth and risk losing her forever? I've never been a parent, so I don't know what it feels like, because I can only imagine that the fear or anxiety of the possibility of losing your child through any circumstance crosses the minds of every parent who wouldn't want such misfortune befalls them. In this case, it cuts even deeper because it's about miscarriage, to have that happen to a woman whose dream is to become a mother, it's the worst nightmare for her. In THE LIGHT BETWEEN OCEANS, I think Alicia Vikander plays that with such strong conviction and ferocity, so much so that even though you know her character is doing something wrong, a part of you wants her to get away with this act, because Vikander has made you feel sorrowful for what her character has gone through. It's a remarkable performance for a woman who won Oscar for last year's "The Danish Girl," you see THE LIGHT BETWEEN OCEANS and you'll immediately understand exactly why she deserves that statuette. And Michael Fassbender plays the lighthouse keeper husband with a conscience, the film does deal with fate, love, moral dilemmas, and how far you're willing to go to get your dreams realized after having previously seen them crushed a few times, what secrets would you keep to make those dreams realized and so Fassbender's moral compass keeps bugging him. Fassbender is so gentle and sturdy and calmed in this film. If you've seen director Derek Cianfrance's previous films, "Blue Valentine" and "The Place Beyond The Pines," you'd know that Cianfrance is not one to shy away from couples' confrontations, it's as if he wants his actors to really unleash their strongest resentment possible, so when conflict arises between Vikander's character and Fassbender's character or between Vikander and Rachel Weisz's character, it's so real and ugly that you wouldn't want to get in the middle of it otherwise they might come at you as well. The cinematography for this film is exquisite, such a beautifully designed, beautifully shot film, not to mention composer Alexandre Desplat's music, his emphasis on piano, that makes the emotional journey of these characters all the more deeply affecting. THE LIGHT BETWEEN OCEANS guarantees to tug at the heartstrings. -- Rama's Screen --
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