A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.Written by
The classical music piece that bookends the film is "On the Nature of Daylight" by Max Richter. Its prominence during the film and the fact that it was a pre-existing track meant that Jóhann Jóhannsson's score was deemed ineligible for an Academy Award despite being highly acclaimed. See more »
Louise is told to translate some overheard Mandarin and is momentarily confused at hearing the Mandarin word for "suits" before realizing that it is a reference to Mahjong. In actual Mandarin, the word for "suit" that refers to clothing and the word for "suit" that refers to a classification of cards in a card game are not the same word. If the speakers had really been using the word "suit" in the card-game sense, Louise might have initially translated it as "flower-color" and been confused, but the only way she could have translated it initially as "suit" would be if she already knew of the card-game meaning. However, this is not a "Factual Mistake". There is no indication in the movie that Louise ever thought of "suit" in the clothing-sense. There are indeed suits (in the card-game sense) in Mahjong, but Mahjong is not a card game; it is played with tiles. In other words, Louise may have translated it as "suit" in the card-game meaning without realizing yet that the referenced game was Mahjong; and that (as well as the fact that neither card-games nor Mahjong are directly linked to the topic of the rest of the Mandarin conversation) may be where Louise's initial confusion arose from. See more »
I used to think this was the beginning of your story. Memory is a strange thing. It doesn't work like I thought it did. We are so bound by time, by its order.
[coddling her baby girl]
Okay. Okay. Come back to me. Come back to me. Come back to me.
[later playing with her in the yard]
Stick 'em up! Are you the sheriff in this here town? These are my tickle guns, and I'm gonna getcha!
You want me to chase you? You better run!
See more »
During the end credits Anana Rydvald is credited as Swedish Scientist rather than Danish Scientist. Sweden and Denmark are neighboring countries. See more »
The common type dates back to Buck Rogers and has more modern iterations in Star Trek and Star Wars. Action and mayhem.
The other type, the "smart" or intellectual type, is harder to classify. It has been around forever but appears and disappears randomly. Consider the DAY THE EARTH STOOD STILL (1951/2008) or CUBE (1997) or the more recent MARTIAN (2015).
The second type is an oddity because most of the heavy lifting takes place in your brain, not on the screen.
I consider ARRIVAL the best example of the "Smart" genre ever done.
These films, because they are so subjective, require a central character that the viewer can identify with. Ms. Adams deserves special merit for picking this film up and carrying it to the finish line.
A must see, for fans of "smart" scifi.
597 of 1,097 people found this review helpful.
Was this review helpful to you?
| Report this