When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find t... Read allWhen Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Yavor Baharov
- Georgy Patov
- (as Yavor Baharoff)
George Zlatarev
- Detective Kiril
- (as Georgi Zlatarev)
Kacey Clarke
- Sharon
- (as Kacey Barnfield)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Many Horror films often like to shroud themselves in mystery, both in the film itself (in regards to plot and story) and around it (cast, crew and such). This leads to many unsolved questions... Why did the eerie and disturbing Fred Kruger become Freddie the comedian in the 2nd film? Why did we have to wait all these years for 20 Days of Night to show us an actually frightening vampire? Why is cheap gore even considered Horror? And many more. To this list I can now add "why the heck would anyone want to make a sequel after the remake of I Spit on Your Grave, which was simply the perfect revenge film?"
I Spit on Your Grave 2 had no chance. It was doomed to be a let down after the first film. I find it virtually impossible to review this film objectively due to my utter admiration to the first film, since the sequel is lacking and wanting in every single aspect. Jemma Dallender is not a bad actress, her acting is simply annoying. Her exaggerated sobs ruined any and all chance of sympathy, especially after the excellent work done by Sarah Butler in the original. The story and plot are nothing more than a tribute to the first film, with the script feeling like it's been written by a high school student doing their homework assignment of "re-write a script while offering absolutely nothing new". Even the punishments and tortures extracted by the victim-turned-huntress are nothing more than a tribute, and are far less powerful, artistic and impacting. Seriously... Why?
Having said all that, it wouldn't be fair to say I didn't enjoy the film. Seeing monsters punished by the one whose life they tried to destroy always feels good, even if not as good as during the first film. The acting by the list of antagonists was not half bad, and I should specifically commend on Peter Silverleaf's character, which was an excellent addition and perhaps the only innovation compared to the first film. Also, in this film we finally see some police involvement, offering both a well deserved criticism to the manner in which authorities handle rape cases and treat the victims, and a different ending. In regards to the ending, it did add some necessary value to the plot and the overall predicament.
All in all, the more you enjoyed the first film, the less you are likely to enjoy this one. However, if like me you enjoy watching evil people suffer, and are looking for a slight addition to the overall story - I would definitely recommend this film. I guess succeeding in being not bad when having no chance of being equally good to begin with is somewhat impressive. I'm glad I watched this, but I would in no way object to the decision to skip it and move on to the 3rd, which is actually a sequel and far better.
I Spit on Your Grave 2 had no chance. It was doomed to be a let down after the first film. I find it virtually impossible to review this film objectively due to my utter admiration to the first film, since the sequel is lacking and wanting in every single aspect. Jemma Dallender is not a bad actress, her acting is simply annoying. Her exaggerated sobs ruined any and all chance of sympathy, especially after the excellent work done by Sarah Butler in the original. The story and plot are nothing more than a tribute to the first film, with the script feeling like it's been written by a high school student doing their homework assignment of "re-write a script while offering absolutely nothing new". Even the punishments and tortures extracted by the victim-turned-huntress are nothing more than a tribute, and are far less powerful, artistic and impacting. Seriously... Why?
Having said all that, it wouldn't be fair to say I didn't enjoy the film. Seeing monsters punished by the one whose life they tried to destroy always feels good, even if not as good as during the first film. The acting by the list of antagonists was not half bad, and I should specifically commend on Peter Silverleaf's character, which was an excellent addition and perhaps the only innovation compared to the first film. Also, in this film we finally see some police involvement, offering both a well deserved criticism to the manner in which authorities handle rape cases and treat the victims, and a different ending. In regards to the ending, it did add some necessary value to the plot and the overall predicament.
All in all, the more you enjoyed the first film, the less you are likely to enjoy this one. However, if like me you enjoy watching evil people suffer, and are looking for a slight addition to the overall story - I would definitely recommend this film. I guess succeeding in being not bad when having no chance of being equally good to begin with is somewhat impressive. I'm glad I watched this, but I would in no way object to the decision to skip it and move on to the 3rd, which is actually a sequel and far better.
This was waaaay better than the first. Kinda slow for awhile but had more...spunk? The chick in the first movie was mostly dazed throughout everything until the end and before everything happened. This chick was alive and kicking throughout the whole movie. They added a twist and a completely new environment and they made it better in the sense that this was more of a revenge movie than the first where the first was pretty much just a rape movie because of how much they prolonged that damn moment. This movie is still disturbing with what happens to the chick BUT they didn't drag out the rape scene as long as the first. They actually shortened it by a lot, but it wasn't all one...long scene. It was like three where they showed the first one but was really short, second one only lasted seconds and the third wasn't even shown. This was more of a movie than the first, it didn't just feel like hardcore porn with barely any gore at the end. This felt like a real movie with pretty awesome revenge in it. This was a revenge movie with some rape, it can be disturbing to a lot of people but this wasn't like the first movie where the first movie felt like a rape movie with some revenge, this movie is a revenge movie with some rape.
For his 2010 remake of Meir Zarchi's 70s rape/revenge classic I Spit On Your Grave, director Steven R.Monroe's aim was clearly to surpass the original movie in terms of nastiness; many might argue that he succeeded. For this sequel, he attempts to outdo his own remake, but in doing so, frequently verges on parody, the excessive sadism and violence perpetrated by ridiculous eastern European, Hostel-style stereotypes, and the plot taking several preposterous turns in order to prolong its protagonist's unimaginable suffering.
Monroe also makes the mistake of concentrating far more on the rape than on the revenge, with the latter half of the film feeling very rushed and consequently less satisfying, the sense of disappointment exacerbated by the lame manner in which several of the villains meet their fate (only Ivan's 'balls in a clamp' treatment seems truly befitting of his heinous crime).
From a technical point of view, Monroe's film is very impressive, with slick direction and editing, decent make-up effects work, and a bold and convincing central performance by Jemma Dallender—making it even more of a shame that in trying so hard to shock, the film fails to work in other departments.
Monroe also makes the mistake of concentrating far more on the rape than on the revenge, with the latter half of the film feeling very rushed and consequently less satisfying, the sense of disappointment exacerbated by the lame manner in which several of the villains meet their fate (only Ivan's 'balls in a clamp' treatment seems truly befitting of his heinous crime).
From a technical point of view, Monroe's film is very impressive, with slick direction and editing, decent make-up effects work, and a bold and convincing central performance by Jemma Dallender—making it even more of a shame that in trying so hard to shock, the film fails to work in other departments.
An American wannabe model is raped, shipped to Europe and degraded until she escapes and plots her revenge.
Writers Thomas Fenton and Neil Elman offer a solid script, the claustrophobic NY apartment and then the European setting adds an air of danger for Katie's ordeals, it's pity the unsavoury Euro angle has be been done so many times already. In the vein of Hostel 2, Saw and following the format of the 1978's I Spit on Your Grave and its 2010 remake, director Steven R. Monroe's latest wincing film like its predecessor is nasty, arguably needless and borderline exploitation. Nevertheless, it feels more realistic than many of the films of its saturated genre and the cop and the priest play against expectations adding some surprise.
Jemma Dallender is first rate as Katie and gives a great performance but her character is not as liable as it's former lead Sarah Butler's Jennifer Hills. The supporting cast are all excellent notable are Mary Stockley, Joe Absolom who pulls off a good accent as Ivan and Valentine Pelka as Father Dimov.
It's a film of two halves, the first being the horrific abuse of Katie, the second revenge kills on her captors. Monroe's film looks good, it's slick with plenty of atmosphere, blood, great effects with the ominous lighting and locations heightened by Damian Bromley's photography. Corey A. Jackson's score also adds to the unnerving edgy scenes.
With the pro-woman, feminist, revenge angles already debated highlighted and explored with the 1978 version, this offering would have been a equal if not a better re-imagining than the 2010 remake but despite some great acting it's now left slightly redundant with even less to say.
Monroe's offering is commendable and as it is certainly not DVD fodder (like Hostel 3), it has cinema release execution and production values like his first instalment. Monroe needs a breakout movie but given the subject matter this just isn't it.
Writers Thomas Fenton and Neil Elman offer a solid script, the claustrophobic NY apartment and then the European setting adds an air of danger for Katie's ordeals, it's pity the unsavoury Euro angle has be been done so many times already. In the vein of Hostel 2, Saw and following the format of the 1978's I Spit on Your Grave and its 2010 remake, director Steven R. Monroe's latest wincing film like its predecessor is nasty, arguably needless and borderline exploitation. Nevertheless, it feels more realistic than many of the films of its saturated genre and the cop and the priest play against expectations adding some surprise.
Jemma Dallender is first rate as Katie and gives a great performance but her character is not as liable as it's former lead Sarah Butler's Jennifer Hills. The supporting cast are all excellent notable are Mary Stockley, Joe Absolom who pulls off a good accent as Ivan and Valentine Pelka as Father Dimov.
It's a film of two halves, the first being the horrific abuse of Katie, the second revenge kills on her captors. Monroe's film looks good, it's slick with plenty of atmosphere, blood, great effects with the ominous lighting and locations heightened by Damian Bromley's photography. Corey A. Jackson's score also adds to the unnerving edgy scenes.
With the pro-woman, feminist, revenge angles already debated highlighted and explored with the 1978 version, this offering would have been a equal if not a better re-imagining than the 2010 remake but despite some great acting it's now left slightly redundant with even less to say.
Monroe's offering is commendable and as it is certainly not DVD fodder (like Hostel 3), it has cinema release execution and production values like his first instalment. Monroe needs a breakout movie but given the subject matter this just isn't it.
watched I SPIT ON YOUR GRAVE 2 ...compare to its prequel this flick is more brutal more gruesome more violent more eww more plight-full n more entertaining(if you like this genre)...this movie completes everything that its prequel lacked..well not everything exactly..it too has some loose ends...BUT do/should we even care about that?..in front of this girl(Jemma Dallender)'s acting..she did a tremendous job..for a moment you'll wonder if she is being violated for real!(I'm not being an assh*le BUT it has one of the best woman abusive scenes I've ever watched in a film_of- course)..above that she is beautiful..you feel sorry for her(movie's job done here)....this revenge film has a cheesy twist n they kinda turns it in another SAW in the end(though)..its not very good BUT its a nice film..if you like sick things(kidding)
its _WORTH A WATCH_
its _WORTH A WATCH_
Did you know
- TriviaAlthough all of the films in this series deal with violent rape, this is the only one to also touch on human trafficking.
- GoofsNo explanation as to how they kidnapped Katie and got her to Bulgaria while keeping her hidden. However human trafficking happens all over the world in all manner of ways. This is a fact. Just because it's not shown how it was done here does not make it a plot hole. What is important is whether or not it's possible, and it is.
- Alternate versionsThe UK release was cut, this film was originally seen for advice in an incomplete version. The distributor was informed that 27 cuts would be required across six scenes to remove various elements of sexual and sexualised violence. When the completed version of the film was submitted for formal classification, all the requested cuts had been made, and the film was classified 18.
- ConnectionsFeatured in Growing Up with I Spit on Your Grave (2019)
Details
Box office
- Gross US & Canada
- $809
- Opening weekend US & Canada
- $441
- Sep 22, 2013
- Gross worldwide
- $678,604
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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