7 user 35 critic

The Little House (2014)

Chiisai ouchi (original title)
A woman looks back on her family's life in Tokyo before and during WWII. A maid arrives from the countryside to work for an upper middle class family. She fits in well, but everyone's emotions are stirred up with the arrival of a student.


Yôji Yamada


Kyôko Nakajima (based on the novel by), Yôji Yamada (screenplay) | 1 more credit »
2 wins & 10 nominations. See more awards »


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Cast overview, first billed only:
Takako Matsu ... Tokiko Hirai
Haru Kuroki ... Taki Nunomiya (younger)
Isao Hashizume Isao Hashizume ... Professor Konaka
Kazuko Yoshiyuki Kazuko Yoshiyuki ... Professor Konaka's wife
Shigeru Muroi Shigeru Muroi ... Sadako
Tomoko Nakajima Tomoko Nakajima ... Chikako Matsuoka
Aki Takejô Aki Takejô ... Kane
Yoneko Matsukane ... Hanawa's Aunt
Takashi Sasano Takashi Sasano ... Kazuo Hanawa
La Salle Ishii La Salle Ishii ... Yanagi
Shôzô Hayashiya Shôzô Hayashiya ... Therapist
Uta Yotsuya Uta Yotsuya
Rei Shibakusa Rei Shibakusa
Isao Kataoka Isao Kataoka
Tomoko Takama Tomoko Takama


Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof. Written by AnonymousB

Plot Summary | Add Synopsis


Drama | Romance


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Release Date:

25 January 2014 (Japan) See more »

Also Known As:

La casa del tejado rojo See more »


Box Office

Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.85 : 1
See full technical specs »

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User Reviews

A perfect world crumbling
25 February 2014 | by roweriversSee all my reviews

Taki (Haru Kuroki) comes from northern Japan to Tokyo to join the Hirai household as a housekeeper. Back in the pre-war days the newly rich upper-middle classes built their own houses out in the suburbs, adopting Western style furnishings and fashions. And the Hirais built a very nice little house with a red roof. Taki quickly fits in and bonds quickly – too quickly – with Tokiko, the young wife and mother (Takako Matsu). She loves it so much there that she turns down an opportunity to marry into wealth. Husband (Takataro Kataoka) spends a lot of time at the office and traveling around for his toy company, which leaves plenty of time for Tokiko to pursue her own pleasures, like any decent housewife at that time. But it all changes when Itakura (Hidetaka Yoshioka), a young employee at husband's company, comes to visit. Tokiko is immediately attracted to him – he's handsome, cultured, artistic and a bit sickly – hitting all the right buttons for Tokiko. The feeling turns mutual as circumstances bring them together again and again. To Taki's dismay they begin an affair. This is where the film compares to Remains of the Day. Though the division between master and servant isn't as distinct in Japan, the housekeeper is still an employee, and the employee has to keep her own feelings to herself. Taki struggles with this as Tokiko becomes consumed and careless. Kuroki won the Silver Bear at the Berlin Film Festival for her performance, which was a surprise to many. But Kuroki beautifully portrayed Taki's struggle as the perfect world began to crumble. It is a too common Japanese theme: put on a brave front and never show your struggles. But in this film it's nicely presented.

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