Nuanced thriller. Renier is Gabriel Chevalier, an ex-cop whose personal life has taken a nosedive. He's a gambler, an alcoholic, a widower and single-parent to a rebellious teenage daughter...
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An unshakable mine-clearing expert suddenly loses his footing when he learns that his father is not his father. Despite all the tenderness he feels for the man who raised him, he discreetly sets out to find his father.
Cécile de France,
A teen-ager feels an endless fascination for his cellular phone which will enable him to reach his aim: alluring the pretty high-school girl he's in love with. Unfortunately, this addiction... See full summary »
Nuanced thriller. Renier is Gabriel Chevalier, an ex-cop whose personal life has taken a nosedive. He's a gambler, an alcoholic, a widower and single-parent to a rebellious teenage daughter. Unable to hold down regular work, he takes up the dubious offer of a job which involves sitting in an empty office waiting for the phone to ring. When it does, Chevalier is told to deliver a black briefcase to a specific address. One final instruction, he must never, ever, look inside the briefcase.Written by
For once ,a good title ,and a screenplay which does not fall apart in the first reel,which is rare in French contemporary thrillers;besides,Jérémie Rénier is in it,and that was my main reason to watch it.
The director has a good sense of mystery and he makes the best of the settings: A candlelit apartment,a public garden where our ex-cop meets a strange old man,an apparently quiet canal,a strange ceremony in China ,a meeting in the dark forest,an auction sale (probably a hint at Hitchcock),and this shop where all the clocks have stopped ...the director knows only one tempo:accelerated ,and his hero seems overtaken by events in the first half.
Some flaws appear in the last third:the providential intervention of the superintendent (who,by chance ,is the hero's half brother) ,and the banal last pictures:after such a revelation (and the scene in the cellar is deeply moving in its horror),we expected more.
For a short while,I feared these suitcases might lead the story into the dreadful "transporter" territory ,but it is not so :Rénier does not portray a superman,à la Statham,but an ex-cop whose only reason to live is his daughter ;his past is revealed late in the story .
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"Traitement De Choc" Alain Jessua,1972
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